The Inertia of Collections

IF 0.3 0 ART
Francisco Martínez
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引用次数: 0

Abstract

The first aim of this article is to study the persistence of the collection’s positive presentation of Rosenlew’s industrial heritage, and the second is to anthropologically reconsider what kind of knowledge is generated therein through the preservation and display of factory-made artifacts, which give a sense of concreteness and gravitas to the industrial past. By studying the permanent exhibition and the collections of the Rosenlew Museum and by organizing a workshop with schoolchildren, I reveal the presence of various inertia effects. Long-term corporate values continue to influence the development of the museum’s permanent collection not only through the arrangement of industrial artifacts into a collection but also—at a heuristic level—through epistemological frames and the indexing power of the museum assemblage.
收藏的惯性
本文的第一个目的是研究收藏品对Rosenlew工业遗产的积极呈现的持久性,第二个目的是从人类学上重新考虑通过工厂制造的文物的保存和展示产生了什么样的知识,这些文物给工业的过去带来了具体和庄严的感觉。通过研究罗森卢博物馆的常设展览和藏品,以及组织一个学生研讨会,我揭示了各种惯性效应的存在。长期的企业价值观继续影响博物馆永久收藏的发展,不仅通过将工业文物安排到一个收藏中,而且在启发式层面上,通过认识论框架和博物馆组合的索引能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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