{"title":"Contested fandom and nationalism: How K-Pop fans perform political consumerism in China","authors":"Eureka Shiqi Wang","doi":"10.1177/20594364221093768","DOIUrl":null,"url":null,"abstract":"In post-THAAD period, anti-Hallyu sentiments in China have never faded out, exemplified by outbursts of anger from staunch nationalists. Social media has been considered by scholars as a force for fandom nationalism, meaning that the nation is an idol for online nationalists to love. Worshiping different idols from the nationalists, K-pop fans in China appear to take on the self-effacing ethos, while, their enthusiasm towards Hallyu has never been incinerated. This study sets out with how Chinese K-pop fans behave as deliberate consumers of Hallyu despite the authorities’ informal tamping down on South Korean media products and domestic nationalists’ constant outpouring of anti-Hallyu sentiments. After conducting digital ethnography on Weibo, this study finds that consumerism is political and employed by China’s K-pop fandom as a unique form of fan activism, while it also works as a safety valve for them to negotiate with the nationalists without undercutting the ideology.","PeriodicalId":42637,"journal":{"name":"Global Media and China","volume":"12 1","pages":"202 - 218"},"PeriodicalIF":3.2000,"publicationDate":"2022-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Global Media and China","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/20594364221093768","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 3
Abstract
In post-THAAD period, anti-Hallyu sentiments in China have never faded out, exemplified by outbursts of anger from staunch nationalists. Social media has been considered by scholars as a force for fandom nationalism, meaning that the nation is an idol for online nationalists to love. Worshiping different idols from the nationalists, K-pop fans in China appear to take on the self-effacing ethos, while, their enthusiasm towards Hallyu has never been incinerated. This study sets out with how Chinese K-pop fans behave as deliberate consumers of Hallyu despite the authorities’ informal tamping down on South Korean media products and domestic nationalists’ constant outpouring of anti-Hallyu sentiments. After conducting digital ethnography on Weibo, this study finds that consumerism is political and employed by China’s K-pop fandom as a unique form of fan activism, while it also works as a safety valve for them to negotiate with the nationalists without undercutting the ideology.