{"title":"Constructing police as first responders: a critical rhetorical archetype analysis","authors":"Joshua Guitar, S. Griffith","doi":"10.1080/15295036.2021.1934504","DOIUrl":null,"url":null,"abstract":"ABSTRACT Utilizing Critical Race theory, this essay constitutes an ideological critique of recent mediated discourses that construct police officers as “heroic first responders.” Through the rhetorical archetype, this analysis reveals how the discursive shift to describe police as “heroic first responders” operates as a covert, ideological response to Black Lives Matter and the mediated depictions of Black trauma via law enforcement. Elucidated through the analysis of recent media artifacts that celebrate first responders, this project demonstrates how the amalgamation of police officers, emergency medical technicians, and firefighters diverts attention away from the whiteness of law enforcement and demands for racial justice. As temporary and cultural, the rhetorical archetype of “police as heroic first responders” dictates the erasure of Black voice, perpetuates an oppressive ideology of whiteness, silences dissent, and propagates the celebration of police officers in the wake of demands for police reform.","PeriodicalId":47123,"journal":{"name":"Critical Studies in Media Communication","volume":"19 1","pages":"321 - 335"},"PeriodicalIF":1.5000,"publicationDate":"2021-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Media Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/15295036.2021.1934504","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT Utilizing Critical Race theory, this essay constitutes an ideological critique of recent mediated discourses that construct police officers as “heroic first responders.” Through the rhetorical archetype, this analysis reveals how the discursive shift to describe police as “heroic first responders” operates as a covert, ideological response to Black Lives Matter and the mediated depictions of Black trauma via law enforcement. Elucidated through the analysis of recent media artifacts that celebrate first responders, this project demonstrates how the amalgamation of police officers, emergency medical technicians, and firefighters diverts attention away from the whiteness of law enforcement and demands for racial justice. As temporary and cultural, the rhetorical archetype of “police as heroic first responders” dictates the erasure of Black voice, perpetuates an oppressive ideology of whiteness, silences dissent, and propagates the celebration of police officers in the wake of demands for police reform.
期刊介绍:
Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.