THE CULTURAL SHACKLES OF NORMATIVE FEMININITY THROUGH CERTAIN LITERARY AND FILM NARRATIVES

Ana Jovkovska
{"title":"THE CULTURAL SHACKLES OF NORMATIVE FEMININITY THROUGH CERTAIN LITERARY AND FILM NARRATIVES","authors":"Ana Jovkovska","doi":"10.17072/1857-6060-2021-19-2-110-130","DOIUrl":null,"url":null,"abstract":"The contemporary challenges of culture and gender in consumer society are numerous. Through critical reflections on certain aspects of women's representation in popular culture, we will re-examine her role in society, seeking explicit and subliminal sexist messages embedded in literary and film language. Exploring the hegemony of the body, through the objectification of women and sexism, the cultural shackles of normative femininity, we will try to find gender asymmetry in the media representation and note the relationship with the ideology of consumerism and mass culture. Decoding the gender stereotypes, on the one hand, and the contemporary post-feminist transformations of femininity, on the other, we will re-examine the gender roles in popular culture by asking questions: To what extent do books and films about Bridget Jonesand The Stepford Wivesoppose the macho, sexist and patriarchal culture? Are they a rebellion against gender and structural discrimination against women? Is the criticism in those works clear and explicit or, in the attempt to detect gender stereotypes, do they in fact legitimize and strengthen them? Is it a matter of subversion, resistance or acceptance, or is it a reconciliation with the dominant values of popular culture and masculine society? Through the polysemic reading of the texts we will seek for the new meanings that are created through the juxtaposition of the code and the decoder, in the interaction between the text, the meaning, the context, the recipient and the discourse. The production of meanings extends far beyond the processes of fabrication, exchange and reproduction of culture","PeriodicalId":31432,"journal":{"name":"Caesura Journal of Philological and Humanistic Studies","volume":"25 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Caesura Journal of Philological and Humanistic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17072/1857-6060-2021-19-2-110-130","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The contemporary challenges of culture and gender in consumer society are numerous. Through critical reflections on certain aspects of women's representation in popular culture, we will re-examine her role in society, seeking explicit and subliminal sexist messages embedded in literary and film language. Exploring the hegemony of the body, through the objectification of women and sexism, the cultural shackles of normative femininity, we will try to find gender asymmetry in the media representation and note the relationship with the ideology of consumerism and mass culture. Decoding the gender stereotypes, on the one hand, and the contemporary post-feminist transformations of femininity, on the other, we will re-examine the gender roles in popular culture by asking questions: To what extent do books and films about Bridget Jonesand The Stepford Wivesoppose the macho, sexist and patriarchal culture? Are they a rebellion against gender and structural discrimination against women? Is the criticism in those works clear and explicit or, in the attempt to detect gender stereotypes, do they in fact legitimize and strengthen them? Is it a matter of subversion, resistance or acceptance, or is it a reconciliation with the dominant values of popular culture and masculine society? Through the polysemic reading of the texts we will seek for the new meanings that are created through the juxtaposition of the code and the decoder, in the interaction between the text, the meaning, the context, the recipient and the discourse. The production of meanings extends far beyond the processes of fabrication, exchange and reproduction of culture
通过某些文学和电影叙事,规范女性气质的文化束缚
在消费社会中,文化和性别的当代挑战是无数的。通过对流行文化中女性表现的某些方面的批判性反思,我们将重新审视她在社会中的角色,寻找嵌入文学和电影语言中的明确和潜意识的性别歧视信息。探索身体的霸权,通过对女性的物化和性别歧视,规范女性气质的文化束缚,试图找到媒介表现中的性别不对称,并注意与消费主义意识形态和大众文化的关系。一方面解读性别刻板印象,另一方面解读当代后女权主义女性气质的转变,我们将通过提出以下问题来重新审视流行文化中的性别角色:关于《bj单身日记》和《Stepford wife》的书籍和电影在多大程度上反对大男子主义、性别歧视和父权文化?它们是对性别和对女性的结构性歧视的反叛吗?这些作品中的批评是清晰明确的吗?或者,在试图发现性别刻板印象的过程中,它们实际上是在合法化和加强这些刻板印象吗?这是一种颠覆、抵抗或接受的问题,还是与流行文化和男性社会的主导价值观和解的问题?通过对文本的多义词阅读,我们将在文本、意义、语境、接受者和话语之间的互动中,通过代码和解码器的并置来寻找新的意义。意义的产生远远超出了文化的制造、交流和再生产的过程
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
审稿时长
8 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信