Understanding Copyfraud: Public Domain Images and False Claims of Copyright

IF 0.2 0 ART
Art Documentation Pub Date : 2017-09-01 DOI:10.1086/694241
C. Needham
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引用次数: 6

Abstract

Copyright fraud or copyfraud—when museums misrepresent or restrict rights in ways that go against public domain copyright law—continues to be a widespread practice even in the years following the 1999 Bridgeman Art Library, LTD. v. Corel Corp. court case. To help clarify this situation, the author first reviews the relevant copyright issues, then considers some of the problems that copyfraud creates in universities, publishing houses, and museums. In conclusion, he explores the ways museums, supported by their librarians and visual resources managers, have recently changed their approach to copyright and copyfraud, and the ways in which this is transforming scholarship and allowing scholars and librarians to better serve the public.
理解版权欺诈:公共领域图像和虚假的版权声明
即使在1999年布里奇曼艺术图书馆有限公司(Bridgeman Art Library, LTD.)诉Corel Corp.一案之后的几年里,版权欺诈或版权欺诈——博物馆以违反公共领域版权法的方式歪曲或限制权利——仍然是一种普遍的做法。为了澄清这一情况,作者首先回顾了相关的版权问题,然后考虑了大学、出版社和博物馆中假冒欺诈造成的一些问题。最后,他探讨了博物馆在图书管理员和视觉资源管理人员的支持下,最近如何改变了他们对待版权和版权欺诈的方式,以及这种方式如何改变了学术研究,使学者和图书管理员能够更好地为公众服务。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.50
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10
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