{"title":"Un juego de cajas chinas en Ostia. Metalepsis y autoficción en Sergio Blanco","authors":"Carlos Gámez","doi":"10.25009/it.v12i20.2689","DOIUrl":null,"url":null,"abstract":"El ensayo analiza la tercera de las autoficciones de Sergio Blanco (Montevideo, 1971), Ostia (2015). La obra se estudia desde la teoría narratológica, definiendo la diégesis de la pieza y las otras historias presentes en el texto. El trabajo tiene como objetivo general analizar cómo la metalepsis se convierte en autoficción, provocando un efecto estético en el receptor. Para ello es necesario describir la presencia de una retórica de la memoria, que se expresa a través de la memoria prostética, y determinar cómo la ironía de carácter crea un pacto de mentira con el público. \nA set of chinese boxes in Ostia. Metalepsis and autofiction in Sergio Blanco \nAbstract \nThe essay analyzes the third of Sergio Blanco’s (Montevideo, 1971) autofictions, Ostia (2015). This work is studied from the narratological theory, defining the diegesis of the piece and the other stories present in the text. The general objective of the presentation is to analyze how metalepsis becomes autofiction, causing an aesthetic effect on the spectator. For this, it is necessary to describe the presence of a rhetoric of memory, which is expressed through prosthetic memory, and determine how the irony of character creates a lying pact with the public.","PeriodicalId":53773,"journal":{"name":"Cuadernos de Musica Artes Visuales y Artes Escenicas","volume":"2013 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cuadernos de Musica Artes Visuales y Artes Escenicas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25009/it.v12i20.2689","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
El ensayo analiza la tercera de las autoficciones de Sergio Blanco (Montevideo, 1971), Ostia (2015). La obra se estudia desde la teoría narratológica, definiendo la diégesis de la pieza y las otras historias presentes en el texto. El trabajo tiene como objetivo general analizar cómo la metalepsis se convierte en autoficción, provocando un efecto estético en el receptor. Para ello es necesario describir la presencia de una retórica de la memoria, que se expresa a través de la memoria prostética, y determinar cómo la ironía de carácter crea un pacto de mentira con el público.
A set of chinese boxes in Ostia. Metalepsis and autofiction in Sergio Blanco
Abstract
The essay analyzes the third of Sergio Blanco’s (Montevideo, 1971) autofictions, Ostia (2015). This work is studied from the narratological theory, defining the diegesis of the piece and the other stories present in the text. The general objective of the presentation is to analyze how metalepsis becomes autofiction, causing an aesthetic effect on the spectator. For this, it is necessary to describe the presence of a rhetoric of memory, which is expressed through prosthetic memory, and determine how the irony of character creates a lying pact with the public.
本文分析了塞尔吉奥·布兰科(蒙得维的亚,1971)、奥斯提亚(2015)的第三部自传体小说。这部作品从叙事理论出发进行研究,定义了作品的叙事和文本中出现的其他故事。这项工作的总体目标是分析金属epsis是如何成为自传体小说,给接受者带来审美效果的。为了做到这一点,有必要描述记忆修辞的存在,它通过假记忆表达自己,并确定性格讽刺如何与公众建立谎言协议。= =地理= =根据美国人口普查局的数据,该镇总面积为,其中土地和(1.)水。塞尔吉奥·布兰科的金属epsis和自传体小说摘要文章分析塞尔吉奥·布兰科(蒙得维的亚,1971)自传体小说,奥斯蒂亚(2015)。This work is studied from the narratological theory, defining the diegesis of the piece and the other故事目前in the text。一般性目标of The presentation is to analyze how metalepsis becomes autofiction,先后an aesthetic effect on The spectator)。For this, it is描述必要to the在场rhetoric of memory, which is表示through prosthetic memory,和确定how the irony of查阅creates负担沉重lying with the public。
期刊介绍:
The Journal Cuadernos de Música, Artes Visuales y Artes Escénicas was created in January 2004 at the School of Arts of Pontificia Universidad Javeriana in Bogotá. It is a peer-reviewed journal published every six months that promotes investigation, reflection and review from broad methodological and theoretical perspectives, encouraging dialogue between artists, researchers, students, and other audiences. MAVAE currently divulges unpublished texts through an open call for papers in the categories of research or reflection in Spanish, English, and Portuguese.