Finding Clues at the Intersection: Reflections from Two Choral Educators

Jace Kaholokula Saplan, Jason Alexander Holmes
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Abstract

Civil rights advocate and law professor Kimberlé Crenshaw coined the term intersectionality, defining it in 2020 as “a lens, a prism, for seeing the way in which various forms of inequality often operate together and exacerbate each other. We tend to talk about race inequality as separate from inequality based on gender, class, sexuality or immigrant status. What’s often missing is how some people are subject to all of these, and the experience is not just the sum of its parts.” This lens has also expanded to pedagogy and practice, especially as we engage with our responsibility as educators in ensuring that through our content area, we establish equity-centered learning environments for all. In this article, we offer our personal insights as to how intersectionality interrogates our philosophy and practice within the choral arts both within our own identities and the identities of our students.
在交叉点寻找线索:两位合唱教育家的反思
民权倡导者和法学教授金伯利·洛伊尔·克伦肖在2020年创造了“交叉性”一词,将其定义为“一个透镜,一个棱镜,可以看到各种形式的不平等经常共同作用并相互加剧的方式。”我们倾向于把种族不平等与基于性别、阶级、性取向或移民身份的不平等分开来讨论。我们常常忽略的是,有些人是如何受到所有这些因素的影响的,而这种体验并不仅仅是各部分的总和。”这一视角也扩展到教学和实践中,特别是当我们履行作为教育工作者的责任,确保通过我们的内容领域,为所有人建立以公平为中心的学习环境时。在这篇文章中,我们提供了我们个人的见解,关于交集性如何在我们自己的身份和学生的身份中质问我们的合唱艺术哲学和实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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