Type and class vectors and matrices in ℤ n . Application to ℤ6, ℤ7, and ℤ12

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
Luis Nuño
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引用次数: 1

Abstract

In post-tonal theory, set classes are normally elements of and are characterized by their interval-class vector. Those being non-inversionally-symmetrical can be split into two set types related by inversion, which can be characterized by their trichord-type vector. In this paper, I consider the general case of set classes and types in and their -class and -type vectors, ranging from to , which are properly grouped into matrices. As well, three relevant cases are considered: (hexachords), (heptatonic scales), and (chromatic scale), where all those type and class matrices are computed and provided in supplementary files; and, in the first two cases, also in the form of tables. This completes the corresponding information given in previous publications on this subject and can directly be used by researchers and composers. Moreover, two computer programs, written in MATLAB, are provided for obtaining the above-mentioned and other related matrices in the general case of . Additionally, several theorems on type and class matrices are provided, including a complete version of the hexachord theorem. These theorems allow us to obtain the type and class matrices by different procedures, thus providing a broader perspective and better understanding of the theory.
n中的向量和矩阵的类型和类。在素数6、素数7、素数12中的应用
在后调性理论中,集合类通常是它们的区间类向量的元素,并以它们的区间类向量为特征。非逆对称的集合可以分为两种由逆相关的集合类型,这两种集合类型可以用它们的三对数型向量来表征。在本文中,我考虑了集合类和类型的一般情况,以及它们的-类和-型向量,范围从到,它们被适当地分组到矩阵中。此外,还考虑了三种相关情况:(六和弦)、(七阶音阶)和(半音音阶),其中所有这些类型和类矩阵都被计算并提供在补充文件中;在前两种情况下,也是以表格的形式。这完成了之前关于这个主题的出版物中给出的相应信息,可以直接被研究人员和作曲家使用。此外,还提供了两个用MATLAB编写的计算机程序,用于在一般情况下获得上述及其他相关矩阵。此外,还提供了一些关于类型和类矩阵的定理,包括六弦定理的一个完整版本。这些定理使我们能够通过不同的程序获得类型矩阵和类矩阵,从而为理论提供了更广阔的视角和更好的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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