{"title":"“By order of His Majesty the King”: The Painter-Restorers of the Art Collection of Ferdinand II of Portugal","authors":"Vera Mariz","doi":"10.37558/gec.v20i1.1020","DOIUrl":null,"url":null,"abstract":"This study reveals and discusses the role played by five painter-restorers – António Manuel da Fonseca, António Tomás da Fonseca, Carl Kathan, Gaetano Marmocchi, and Étienne Le Roy – at the service of King Ferdinand II of Portugal, from 1850 to 1864. It draws on a dataset of more than one hundred and fifty restored paintings, used here as evidence of the painter-restorers’ activity and versatility in the private art market, as well as of the king’s commitment to managing, repairing and preserving his collection of paintings. Ultimately, by identifying the paintings that have been restored by order of the “Artist King” and relating them to the restorers, this research opens the door for direct analyses and a more precise characterization of the methods and techniques used by these painter-restorers in 19th century Europe.","PeriodicalId":41775,"journal":{"name":"Ge-Conservacion","volume":"22 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ge-Conservacion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37558/gec.v20i1.1020","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This study reveals and discusses the role played by five painter-restorers – António Manuel da Fonseca, António Tomás da Fonseca, Carl Kathan, Gaetano Marmocchi, and Étienne Le Roy – at the service of King Ferdinand II of Portugal, from 1850 to 1864. It draws on a dataset of more than one hundred and fifty restored paintings, used here as evidence of the painter-restorers’ activity and versatility in the private art market, as well as of the king’s commitment to managing, repairing and preserving his collection of paintings. Ultimately, by identifying the paintings that have been restored by order of the “Artist King” and relating them to the restorers, this research opens the door for direct analyses and a more precise characterization of the methods and techniques used by these painter-restorers in 19th century Europe.
这项研究揭示并讨论了五位修复画家- António Manuel da Fonseca, António Tomás da Fonseca, Carl Kathan, Gaetano Marmocchi和Étienne Le Roy -在1850年至1864年期间为葡萄牙国王费迪南德二世服务的角色。它利用了超过150幅修复画作的数据集,作为画家-修复者在私人艺术市场上的活动和多样性的证据,以及国王对管理、修复和保存他的绘画收藏的承诺。最终,通过识别被“艺术家之王”命令修复的画作,并将它们与修复者联系起来,这项研究为直接分析和更精确地描述19世纪欧洲这些画家-修复者使用的方法和技术打开了大门。