The First World War and the German Revolution of 1918–1919 in East German Comics

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Michel F. Scholz
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引用次数: 2

Abstract

The publication of comics from the 1950s onwards in East Germany started as a defensive reaction against Western comics. It did not take long for the mediumto be used as an instrument for socialist propaganda. This was especially the case with the historical-political comics in the magazine Atze. This article provides an overview of the representation of the First World War and the German Revolution of 1918–1919 in Atze. It shows that Atze’s stories closely followed the historical perspective prescribed by the communist party as well as the concept of the socialist picture story developed in the 1960s. These stories unfolded across series of individual images that generally avoided wordballoons and sound effects and were accompanied by detailed text. Using a realistic style, such stories tried to convey a strong sense of authenticity but they remained unable to develop complex characters or stories. However, in reflecting the changing political climate of their times, these comics provide a rich source of material for studying the portrayal of history in East Germany.
东德漫画中的第一次世界大战和1918-1919年德国革命
从20世纪50年代开始,漫画在东德的出版是一种对西方漫画的防御性反应。没过多久,媒体就被用作社会主义宣传的工具。《Atze》杂志上的历史政治漫画尤其如此。本文概述了第一次世界大战和1918-1919年德国革命在阿兹的表现。这表明阿兹的故事遵循了共产党规定的历史视角,以及20世纪60年代发展起来的社会主义画面故事的概念。这些故事是通过一系列独立的图像展开的,这些图像通常避免了文字气球和音效,并伴随着详细的文本。使用现实主义风格,这些故事试图传达强烈的真实感,但他们仍然无法发展复杂的人物或故事。然而,这些漫画反映了他们那个时代不断变化的政治气候,为研究东德的历史描绘提供了丰富的材料来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
European Comic Art
European Comic Art HUMANITIES, MULTIDISCIPLINARY-
自引率
50.00%
发文量
8
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