Global TV Formats Queer Contemporary China

IF 0.5 2区 艺术学 0 FILM, RADIO, TELEVISION
Jamie J. Zhao
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引用次数: 0

Abstract

TV formats are sets of transferable ideas, principles, and procedures to produce and remake television programs.2 They “are designed to ‘travel well’ across national boundaries” and are adaptable to various domestic markets.3 While the transnational exchange of TV formats was considered “an Anglophone development,”4 the rapid integration of television production, circulation, and consumption into a global trade system since the 1990s has created many popular global TV formats that have become profitable media franchises and been widely (re)made in different parts of world.5 A case in point is the Dutch reality television franchise Big Brother (Veronica, 1999–) that has been adapted in more than sixty regions worldwide as of August 2021.6 Since the late 1990s, the television industry of the People’s Republic of China has also started to creatively appropriate standardized global media and cultural formulas to produce content compatible with local political-ideological
全球电视模式酷儿当代中国
电视格式是制作和重制电视节目的一系列可转移的思想、原则和程序它们“被设计成能够‘很好地’跨越国界”,并适应不同的国内市场虽然电视格式的跨国交换被认为是“以英语为母语的发展”,但自20世纪90年代以来,电视生产、流通和消费迅速融入全球贸易体系,创造了许多流行的全球电视格式,这些格式已成为有利可图的媒体特许经营权,并在世界不同地区广泛制作一个典型的例子是荷兰真人秀电视特许经营《老大哥》(Veronica, 1999 -),截至2016年8月,该节目已在全球60多个地区进行了改编。自20世纪90年代末以来,中华人民共和国的电视行业也开始创造性地采用标准化的全球媒体和文化公式,以生产与当地政治意识形态相适应的内容
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来源期刊
JCMS-Journal of Cinema and Media Studies
JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-
CiteScore
1.20
自引率
0.00%
发文量
39
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