"True Anchoresses Are Called Birds": Asceticism as Ascent and the Purgative Mysticism of the Ancrene Wisse

IF 0.1 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
M. Edsall
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引用次数: 1

Abstract

“‘True Anchoresses Are Called Birds’: Asceticism as Ascent and the Purgative Mysticism of the Ancrene Wisse.” This article engages in the longstanding debate over the mysticism of Ancrene Wisse, an early thirteenth-century treatise for female recluses. With few exceptions, critics have answered the question in the negative, finding it difficult to fit its spirituality into a Pseudo-Dionysian model of mysticism defined by schema of spiritual ascent and experience of union with God. This article contends that study of patristic and monastic texts that employ images of birds and flight as metaphors for contemplative experience reveals that the Wisse author also uses bird imagery to describe the contemplative lives of the anchoresses for whom he writes. Furthermore, the way that the bird imagery resonates with crucifixion imagery fuses the two, teaching that the penitential suffering of the anchoritic life enables contemplative flight and unites the anchoresses with Christ crucified. In Ancrene Wisse, ascetic...
“真正的女主播被称为鸟”:作为上升的禁欲主义和安妮慧斯的涤罪神秘主义
“真正的女主播被称为鸟”:作为上升的禁欲主义和安妮·怀斯的净化神秘主义。这篇文章参与了关于13世纪早期女性隐士的著作《安克雷恩·威斯》的神秘主义的长期争论。除了少数例外,批评家们对这个问题的回答都是否定的,认为很难把它的精神性与神秘主义的伪酒神模式相吻合,这种模式是由精神上升和与上帝结合的经验所定义的。本文认为,对教父和修道院文本中使用鸟类和飞行图像作为沉思体验隐喻的研究表明,这位睿智的作者也使用鸟类图像来描述他为之写作的女主播的沉思生活。此外,鸟的形象与被钉十字架的形象共鸣的方式融合了两者,教导人们忏悔的痛苦的锚生活使沉思的飞行,并将锚女与被钉十字架的基督结合起来。在安妮·怀斯,苦行僧……
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来源期刊
Viator - Medieval and Renaissance Studies
Viator - Medieval and Renaissance Studies Arts and Humanities-History
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