{"title":"“Better never means better for everyone”: White feminist necropolitics and Hulu's The Handmaid's Tale","authors":"M. Neville-Shepard","doi":"10.1080/00335630.2022.2136738","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article builds on those who have critiqued Hulu's The Handmaid's Tale along racial lines and calls into question the esteemed status the show holds as a rhetorical resource for contemporary feminist activism. By drawing attention to the parasitical relationship that the archetype of the vulnerable (but resilient) white woman has to Black pain and death, I argue that the series further calcifies the dominance of white feminism, enacting what I term “white feminist necropolitics.” To illuminate this theory, the essay presents a close analysis of The Handmaid's Tale. Specifically, I demonstrate how the show deploys post-racial logics to center a white feminist heroine whose story of saviorism relies on the cooptation of Black pain and the exploitation of Black death. Ultimately, this critical reading of the series points to the ways in which white feminism and necropolitics are intricately entangled.","PeriodicalId":51545,"journal":{"name":"Quarterly Journal of Speech","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2022-11-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quarterly Journal of Speech","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/00335630.2022.2136738","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 2
Abstract
ABSTRACT This article builds on those who have critiqued Hulu's The Handmaid's Tale along racial lines and calls into question the esteemed status the show holds as a rhetorical resource for contemporary feminist activism. By drawing attention to the parasitical relationship that the archetype of the vulnerable (but resilient) white woman has to Black pain and death, I argue that the series further calcifies the dominance of white feminism, enacting what I term “white feminist necropolitics.” To illuminate this theory, the essay presents a close analysis of The Handmaid's Tale. Specifically, I demonstrate how the show deploys post-racial logics to center a white feminist heroine whose story of saviorism relies on the cooptation of Black pain and the exploitation of Black death. Ultimately, this critical reading of the series points to the ways in which white feminism and necropolitics are intricately entangled.
期刊介绍:
The Quarterly Journal of Speech (QJS) publishes articles and book reviews of interest to those who take a rhetorical perspective on the texts, discourses, and cultural practices by which public beliefs and identities are constituted, empowered, and enacted. Rhetorical scholarship now cuts across many different intellectual, disciplinary, and political vectors, and QJS seeks to honor and address the interanimating effects of such differences. No single project, whether modern or postmodern in its orientation, or local, national, or global in its scope, can suffice as the sole locus of rhetorical practice, knowledge and understanding.