MYTHICAL BASES FOR A SOCIOLOGICAL DEFINITION OF THE CONCEPT OF CREATIVITY

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Roche Cárcel, Juan Antonio
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引用次数: 0

Abstract

The sociological approach to the concept of creativity lacks some accuracy, since it is addressed from an a priori perspective and admitted without reflecting on what it means socially and culturally. In this connection, the present article tries to provide a specific description of the term from its genealogy and on the basis of the socio-cultural-historical context where it arises. More precisely, it deals with the idea conveyed by western myths, the narrative about the identification of the instituting generatrix forces or the procreative divinities that lie behind the birth of the cosmos, of the world, of society, of the earth, of gods, of humans, of animals, and of plants. Thus, from an interpretative examination of the myths about Mother Goddess, those about Biblical Genesis, as well as of Greek creation myths, an attempt will be made to draw a conceptual map that delimits the most defining features of creativity (1). The ultimate goal is to check whether such characters have survived to the present day (2).
创造概念的社会学定义的神话基础
对创造力概念的社会学方法缺乏一些准确性,因为它是从先验的角度出发的,并且在没有反思其社会和文化意义的情况下被承认。在这方面,本文试图从它的谱系和它产生的社会文化历史背景的基础上,提供一个具体的描述。更准确地说,它处理的是西方神话所传达的思想,即对宇宙、世界、社会、地球、神、人类、动物和植物诞生背后的形成母系力量或生殖神的认同的叙述。因此,通过对母亲女神神话、《圣经创世纪》神话以及希腊创世神话的解释性考察,我们将尝试绘制一幅概念性的地图,划定创造力最具决定性的特征(1)。最终目标是检查这些人物是否幸存至今(2)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
18
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