The Bully Pulpit: trolling the trolls with polysemous monstrosity

IF 1.5 3区文学 Q2 COMMUNICATION

Communication Culture & Critique Pub Date : 2021-03-08 DOI:10.1093/CCC/TCAB004

Madison Snider

引用次数: 0

Abstract

The photography of Haley Morris-Cafiero partakes in a larger feminist response to the vitriol of online misogyny that implicates the current moderation environment of online social platforms. This analysis illuminates Morris-Cafiero’s work of transgressive feminist art, using the body as a means for subverting the gaze of online misogyny and fat-shaming and presenting it anew. Morris-Cafiero uses self-portraiture to remark on the subject of online harassment as both the recipient and the sender. Bringing gendered histories of monstrosity into conversation with contemporary gendered online harassment, this article argues that the work of The Bully Pulpit exemplifies a new conception of polysemous monstrosity through which to understand the presentation of self, both for the artist and her trolls.

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《恶霸讲坛》:用多义词怪物来戏弄巨魔

哈利·莫里斯-卡菲耶罗的照片是女权主义者对网络厌女症的尖酸刻薄的回应，这种回应暗示了当前在线社交平台的温和环境。这一分析阐明了莫里斯-卡菲耶罗的越界女权主义艺术作品，用身体作为一种手段，颠覆了网络上对女性的厌恶和对肥胖的羞辱，并重新呈现出来。Morris-Cafiero使用自画像来评论网络骚扰的主题，作为接受者和发送者。将怪物的性别历史与当代性别网络骚扰进行对话，本文认为，the Bully Pulpit的作品体现了一种多义词怪物的新概念，通过这种概念，艺术家和她的巨魔都可以理解自我的呈现。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Communication Culture & Critique COMMUNICATION-

CiteScore

2.50

自引率

5.90%

发文量

期刊介绍： CCC provides an international forum for critical research in communication, media, and cultural studies. We welcome high-quality research and analyses that place questions of power, inequality, and justice at the center of empirical and theoretical inquiry. CCC seeks to bring a diversity of critical approaches (political economy, feminist analysis, critical race theory, postcolonial critique, cultural studies, queer theory) to bear on the role of communication, media, and culture in power dynamics on a global scale. CCC is especially interested in critical scholarship that engages with emerging lines of inquiry across the humanities and social sciences. We seek to explore the place of mediated communication in current topics of theorization and cross-disciplinary research (including affect, branding, posthumanism, labor, temporality, ordinariness, and networked everyday life, to name just a few examples). In the coming years, we anticipate publishing special issues on these themes.