{"title":"As If Poetry: Computer-Generated Tanka and Contemporary Japanese Verse","authors":"S. Mehl","doi":"10.16995/ane.8145","DOIUrl":null,"url":null,"abstract":"This paper discusses the innovative use of soft-AI computer algorithms in the creation of tanka, a form of poetry with roots in classical Japanese culture. Among the recent surge of interest in computer-generated poetry in Japan, I look particularly at two computer programs: the instant tanka generator Inu-zaru created by Sasaki Arara, and the so-called “guzen tanka” Twitter bot of programmer Inaniwa and poet Sekishiro. These programs engender new paradoxical models of technology-mediated authorship and reading, whereby human agency is at once subtracted from the composition process while also being presupposed as a necessary component in the participant reader. Such forms of reading and writing shed new light on theoretical matters such as the death of the author even as they pose intractable questions concerning international copyright conventions.","PeriodicalId":41163,"journal":{"name":"ASIANetwork Exchange-A Journal for Asian Studies in the Liberal Arts","volume":"29 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ASIANetwork Exchange-A Journal for Asian Studies in the Liberal Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/ane.8145","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This paper discusses the innovative use of soft-AI computer algorithms in the creation of tanka, a form of poetry with roots in classical Japanese culture. Among the recent surge of interest in computer-generated poetry in Japan, I look particularly at two computer programs: the instant tanka generator Inu-zaru created by Sasaki Arara, and the so-called “guzen tanka” Twitter bot of programmer Inaniwa and poet Sekishiro. These programs engender new paradoxical models of technology-mediated authorship and reading, whereby human agency is at once subtracted from the composition process while also being presupposed as a necessary component in the participant reader. Such forms of reading and writing shed new light on theoretical matters such as the death of the author even as they pose intractable questions concerning international copyright conventions.