Narrative, Insecure Equilibrium and the Imperative to Understand: A Hermeneutics of Woundedness

IF 0.2 0 LITERARY THEORY & CRITICISM
Małgorzata Hołda
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引用次数: 2

Abstract

Addressing trauma as a phenomenon which happens on the level of the human psyche and body, this article explores the impact of the interlocking nature of human lingual and bodily being in discovering a fuller possibility of interpreting and understanding woundedness. The non-transparent and problematic character of trauma calls for a hermeneutic investigation in order to gain a far-reaching insight into what happens with us and in us in traumatic experience(s). The imperative to understand the situation of affliction is an unending task which not only relies upon extant understandings but continually pro-vokes new ones. I argue that the process of healing, encompassing the spoken and bodily narrative, does not establish a secure equilibrium, but rather searches for self-restoring, healing energy and commences ever new understandings of what needs to be comprehended and healed. This article offers an examination of trauma as featured in three short stories by British authors: Rudyard Kipling, D. H. Lawrence and James Joyce, to exemplify the possibilities of literature to shed light on the intricate nature of traumatic experience. It interrogates the ways in which literature, hermeneutics and psychoanalysis meaningfully converge.
叙事、不安全的平衡和理解的必要性:一种受伤的解释学
将创伤视为一种发生在人类心理和身体层面的现象,本文探讨了人类语言和身体存在的连锁性质对发现解释和理解创伤的更充分可能性的影响。创伤的不透明和有问题的特征需要一种解释学的研究,以便对创伤经历中发生在我们身上和我们内心的事情获得深远的见解。了解苦难处境的必要性是一项永无止境的任务,它不仅依赖于现有的理解,而且不断引发新的理解。我认为,治愈的过程,包括口头和身体的叙述,并没有建立一个安全的平衡,而是寻找自我恢复,治愈的能量,并开始对需要理解和治愈的东西有新的理解。本文考察了英国作家拉迪亚德·吉卜林、d·h·劳伦斯和詹姆斯·乔伊斯的三篇短篇小说中的创伤,以举例说明文学在揭示创伤经历的复杂本质方面的可能性。它探讨了文学、解释学和精神分析有意义地融合在一起的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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