The End of the Rights of Man in Sweetness in the Belly

IF 0.1 0 LITERARY THEORY & CRITICISM
Anima Dhungana
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引用次数: 0

Abstract

Gibb’s Sweetness in the Belly is as an example of brutal and inhumane behaviour of the state apparatus during the political turmoil in the world after Second World War, especially in Africa. The novel presents the pathetic condition of the inhabitants of the colonized nations and the trauma experienced by people from different roots through the presentation of the major character Lily, who ends up in refugee status. Furthermore, Amina and her husband Yusuf, lives their lives with the psychological and physical imparity even long after their heart rendering dehumanized experience. Aziz, the doctor, despite his pleasant character faces premature death as a consequence of brutal act on its citizens by the nation-state. I, therefore, argue that the novel presents a perfect example of ruthless treatment of imperialism, totalitarian rule, and domination by the exercise of repressive state apparatus resulting in the deprivation of the Rights of Man caused by the Decline of the nation states, to compel major character Lily into refugee status, Amina and her husband, Yusuf into psychological and physical imparity, and Dr. Aziz’s unnatural tragic death. Before bringing up the arguments to support my claim, it is important to understand the varied meaning of Human Rights and historical timeline of the novel.
《肚子里的甜蜜》中人权的终结
吉布在肚子里的甜蜜是第二次世界大战后世界政治动荡期间国家机器野蛮和不人道行为的一个例子,特别是在非洲。小说通过主人公莉莉最终沦为难民的形象,展现了被殖民国家居民的悲惨处境和不同出身的人们所经历的创伤。此外,阿米娜和她的丈夫优素福,他们的生活在心理和身体上的不平等,甚至很久之后,他们的心呈现非人化的经验。医生阿齐兹虽然性格和蔼可亲,但由于民族国家对其公民的残酷行为,他面临着过早的死亡。因此,我认为,这部小说是一个完美的例子,展示了对帝国主义、极权主义统治和压迫性国家机器的无情对待,导致民族国家衰落导致人权被剥夺,迫使主要人物莉莉成为难民,阿米娜和她的丈夫优素福陷入心理和身体上的不平等,以及阿齐兹博士非自然的悲惨死亡。在提出支持我的观点的论据之前,重要的是要了解人权的各种含义和小说的历史时间线。
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来源期刊
Interdisciplinary Literary Studies
Interdisciplinary Literary Studies LITERARY THEORY & CRITICISM-
CiteScore
0.10
自引率
0.00%
发文量
13
期刊介绍: Interdisciplinary Literary Studies seeks to explore the interconnections between literary study and other disciplines, ideologies, and cultural methods of critique. All national literatures, periods, and genres are welcomed topics.
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