CANTO DE SIRENA DE GREGORIO MARTÍNEZ Y LA ESTÉTICA DE LA NOVELA POSTERIOR AL "BOOM"

IF 0.1 3区 文学 0 LITERATURE, ROMANCE
Jorge Valenzuela-Garcés
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引用次数: 0

Abstract

espanolResumen: En este articulo se analiza la novela Canto de sirena del peruano Gregorio Martinez (1942-2017) a partir de la estetica que nutrio a los escritores del llamado postboom de la narrativa hispanoamericana. Nuestro proposito es observar, en la novela mencionada, la utilizacion de ciertos presupuestos, principios y estrategias que se generaron en respuesta a la estetica del "boom" y al proyecto de la novela total que se configuro como su ideal novelistico. Empleamos el marco teorico y las ideas plan teadas por Angel Rama (1981), Antonio Skarmeta (1984). EnglishAbstract: In this article, the novel Canto de sirena by peruvian writer Gregorio Martinez (1942-2017) is analyzed based on the aesthetics that nurtured postboom writers. Our purpose is to observe the use of certain assumptions, principles and strategies that were generated for the new novelist in response to the aesthetics of the "boom" and the project of the total novel that became his novelistic ideal. We use the theoretical framework and the ideas put forward by Angel Rama (1981) and Antonio Skarmeta (1984) around the new generation of Latin American narrators.
格雷戈里奥·马丁内斯的《美人鱼之歌》与“繁荣”后小说的美学
摘要:本文分析了秘鲁作家格雷戈里奥·马丁内斯(Gregorio Martinez, 1942-2017)的小说《塞丽娜之歌》(Canto de sirena, 1942-2017),从滋养所谓的后繁荣时期拉美裔美国人叙事作家的美学出发。我们的目的是在上述小说中观察某些假设、原则和策略的使用,这些假设、原则和策略是为了回应“繁荣”的美学和作为其小说理想的整体小说项目而产生的。本文采用Angel Rama(1981)、Antonio Skarmeta(1984)提出的理论框架和思想。在这篇文章中,秘鲁作家格雷戈里奥·马丁内斯(1942-2017)的小说《塞丽娜之歌》(Canto de sirena)是基于培养后繁荣作家的美学进行分析的。Our目的is to注意the use of一定assumptions,原则和战略是generated for the new novelist in response to the aesthetics of the“boom”and the project of the total初期that偿还其novelistic理想。We use the理论框架and the想法put forward天使翼(1981)和安东尼奥Skarmeta(1984年)around the new generation of Latin American narrators。
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来源期刊
Acta Literaria
Acta Literaria LITERATURE, ROMANCE-
CiteScore
0.10
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0
期刊介绍: Acta Literaria offers its readers seven articles of academics and academics from Chile, Argentina and Mexico. The texts of the researchers and researchers included in the number we present constitute a current reflection of the orientations of literary studies in Latin America.
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