7Film Theory

Q3 Arts and Humanities
Gary Bettinson
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引用次数: 0

Abstract

Six exemplary works of film theory, published in 2018–19, receive consideration in this chapter: Johannes Riis and Aaron Taylor’s anthology Screening Characters: Theories of Character in Film, Television, and Interactive Media; Murray Pomerance’s Virtuoso: Film Performance and the Actor’s Magic; Jonathan Kirshner and Jon Lewis’s edited collection When the Movies Mattered: The New Hollywood Revisited; Jeff Menne’s Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture; Wieland Schwanebeck and Douglas McFarland’s edited volume Patricia Highsmith on Screen; and Clara Bradbury-Rance’s Lesbian Cinema after Queer Theory. The chapter is organized into three sections: 1. Character Engagement and Performance; 2. Revisiting the New Hollywood; 3. A Highsmith Hinge.
7电影理论
本章将考虑2018 - 2019年出版的六部电影理论典范作品:约翰内斯·里斯和亚伦·泰勒的选集《放映角色:电影、电视和互动媒体中的角色理论》;默里·波默兰斯的《艺术大师:电影表演与演员的魔力》乔纳森·科什纳和乔恩·刘易斯的合集《当电影举足轻重:重新审视新好莱坞》;杰夫·门恩的《后福特主义电影:好莱坞导演与企业反主流文化》维兰德·施万内贝克和道格拉斯·麦克法兰编辑的《银幕上的帕特里夏·海史密斯》;以及克拉拉·布拉德伯里-兰斯在《酷儿理论》之后的女同性恋电影。本章主要分为三个部分:1.正文。角色投入与表现;2. 重新审视新好莱坞;3.Highsmith铰链。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Year''s Work in Critical and Cultural Theory
Year''s Work in Critical and Cultural Theory Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
19
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