{"title":"LA AUTONOMÍA DEL GUION CINEMATOGRÁFICO COMO GÉNERO LITERARIO. LA GENIALIDAD CREATIVA DE BUÑUEL Y JULIO ALEJANDRO EN VIRIDIANA (1961)","authors":"Cristina Jiménez Gómez","doi":"10.5944/signa.vol29.2020.23806","DOIUrl":null,"url":null,"abstract":"Resumen: El guion cinematografico no constituye un simple instrumento para la realizacion final del film, sino que requiere ser estudiado como un texto artistico y como un genero literario en si mismo en tanto que posee unas caracteristicas retoricas, esteticas y poeticas que son expresadas a traves del lenguaje cinematografico. En el guion cinematografico de Viridiana (1961), Luis Bunuel y Julio Alejandro explotan los recursos retoricos, poeticos y esteticos del texto guionistico para construir la analogia visual y los significados metaforicos y simbolicos en la estructura narrativa de su pelicula. Abstract: The screenplay is not a simple instrument for the final realization of the film, but it needs to be studied as an artistic text and as a literary genre due to that possesses a rhetorical, aesthetic and poetic characteristics that are expressed through the cinematographic language. In the script of Viridiana (1961), Luis Bunuel and Julio Alejandro use the rhetorical, poetic and aesthetic resources of the screenwriting text to construct the visual analogy and the metaphorical and symbolic meanings in the narrative structure of their film.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/signa.vol29.2020.23806","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
Abstract
Resumen: El guion cinematografico no constituye un simple instrumento para la realizacion final del film, sino que requiere ser estudiado como un texto artistico y como un genero literario en si mismo en tanto que posee unas caracteristicas retoricas, esteticas y poeticas que son expresadas a traves del lenguaje cinematografico. En el guion cinematografico de Viridiana (1961), Luis Bunuel y Julio Alejandro explotan los recursos retoricos, poeticos y esteticos del texto guionistico para construir la analogia visual y los significados metaforicos y simbolicos en la estructura narrativa de su pelicula. Abstract: The screenplay is not a simple instrument for the final realization of the film, but it needs to be studied as an artistic text and as a literary genre due to that possesses a rhetorical, aesthetic and poetic characteristics that are expressed through the cinematographic language. In the script of Viridiana (1961), Luis Bunuel and Julio Alejandro use the rhetorical, poetic and aesthetic resources of the screenwriting text to construct the visual analogy and the metaphorical and symbolic meanings in the narrative structure of their film.
摘要:脚本cinematografico并不是一种简单的工具realizacion电影结束的时候,不仅需要研究的文学艺术和案文像性别本身则拥有约caracteristicas retoricas, esteticas cinematografico语言和poeticas年会来表达的。在《Viridiana》(1961)的电影剧本中,Luis Bunuel和Julio Alejandro利用剧本文本的修辞、诗意和美学资源,在他们的电影叙事结构中构建视觉类比、隐喻和象征意义。Abstract:剧本is not a简单文书for The final实现The电影,but it needs to be studied as an艺术text and as a literary性别由于to that possesses rhetorical, aesthetic and poetic分离器that are表示through The cinematographic language。在《维里黛安娜的剧本》(1961)中,路易斯·布努埃尔和胡里奥·亚历桑德罗利用剧本文本的修辞、诗意和美学资源,在他们的电影叙事结构中构建视觉类比和隐喻和象征意义。