Land Lyricism and the Homodiegetic Narrative Register

Carolina Gabura
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Abstract

The homodiegetic narrator, emphasizing in his narrative emotional feelings of great sensitivity, often shows predispositions to lyricism. The source of this lyricism is located in the so-called original, artistic self, which works as a source of emotional irradiation that resonates in the person of the author. He, in turn, creates in the work, under the aspect of a fictional identity, a discursive instance, the narrator, following a human model, most often, his model. If the author himself as a person is marked by emotional exuberance, has inclinations towards the predominantly affective assessment of reality, then, mainly, his fictional self will be endowed with an emotional-psychological structure similar to his, so he will have a lyrical identity. And lyricism, intrinsic to the actual identity of the author, is called land. The article comprises some essential theses about the nature of land lyricism and its manifestations in the works written by M. Sadoveanu, L. Blaga, Z. Stancu
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土地抒情主义与同叙事语域
同质叙事的叙述者在叙事中强调高度敏感的情感,往往表现出抒情的倾向。这种抒情性的根源在于所谓的原始的、艺术的自我,它是一种情感辐射的来源,在作者身上产生共鸣。反过来,他在作品中创造了一个虚构的身份,一个话语的实例,叙述者,遵循一个人类模型,通常是他的模型。如果作者本人以情感丰富为特征,倾向于以情感为主的对现实的评价,那么他的小说自我就会被赋予与他相似的情感心理结构,从而具有抒情的身份。而抒情性,本质上是作者的真实身份,被称为“土地”。本文对萨多维亚努、布拉加、斯坦库等人的土地抒情诗的性质及其表现形式进行了论述
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