{"title":"\"Giocasta\", un volgarizzamento euripideo di Lodovico Dolce (1549)","authors":"Pietro Montorfani","doi":"10.1400/77085","DOIUrl":null,"url":null,"abstract":"The Venetian \"poligrafo\" and playwriter Lodovico Dolce (1508-1568), author of many tragedies and comedies inspired both from Greek and Latin sources, proposed in 1549 along with his Giocasta a new version of Euripides' Phoenician Women. Looking at the Latin translation by Doroteo Camillo Collinus (because Dolce didn't know Greek), changing the title, adding some characters and, above all, writing a text as comprehensible as possible for the Renaissance readers, he was able to produce a tragedy typical of the Mid-Sixteenth Century in Italy, where the Classical heritage is ingrained in the memory of the first tragic attempts of the Italian Renaissance, following a \"canon\" already set by Trissino, Rucellai, Giraldi and Aretino.","PeriodicalId":55949,"journal":{"name":"AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE","volume":"33 1","pages":"717-739"},"PeriodicalIF":0.1000,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1400/77085","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 2
Abstract
The Venetian "poligrafo" and playwriter Lodovico Dolce (1508-1568), author of many tragedies and comedies inspired both from Greek and Latin sources, proposed in 1549 along with his Giocasta a new version of Euripides' Phoenician Women. Looking at the Latin translation by Doroteo Camillo Collinus (because Dolce didn't know Greek), changing the title, adding some characters and, above all, writing a text as comprehensible as possible for the Renaissance readers, he was able to produce a tragedy typical of the Mid-Sixteenth Century in Italy, where the Classical heritage is ingrained in the memory of the first tragic attempts of the Italian Renaissance, following a "canon" already set by Trissino, Rucellai, Giraldi and Aretino.