Recalling forgotten principles: A cultural reading of fashion, death and sacredness

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Paddy Lonergan
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引用次数: 0

Abstract

This work presents a thesis on how fashion might reorganize and redefine its cultural presence and relevance by shifting its focus from material progress, expansion and profit to a re-emphasis on the more sacred principles that the author believes once defined its purpose. This discussion is particularly pertinent given the youth’s increasing cynicism with fashion as a capitalist concept and their disenchantment with the fashion system for its transparent commercial, superficial and socially irresponsible ethos. This research is in effect, presented as a retrospective and focuses on a particular era which for the author, represents an important, and final cultural moment where arguably fashion was oriented and underpinned by sacred principles. The cultural context to be explored is the 1990s. Within this context, three cultural moments (and intermediaries) are identified, each presented as a short case to illustrate the orienting presence of sacred principles within fashion at this time. It is felt that by reflecting on and analysing these contexts, similar principles can be reworked and reconfigured to address fashion’s current cultural malaise.
回顾被遗忘的原则:对时尚、死亡和神圣的文化解读
这部作品提出了一个论点,即时尚如何通过将其重点从物质进步、扩张和利润转移到重新强调作者认为曾经定义其目的的更神圣的原则,来重组和重新定义其文化存在和相关性。鉴于年轻人对时尚作为一种资本主义概念的日益愤世嫉俗,以及他们对时尚系统透明的商业、肤浅和对社会不负责任的精神的觉醒,这种讨论尤为恰当。这项研究实际上是一项回顾,聚焦于一个特定的时代,对作者来说,这个时代代表了一个重要的、最后的文化时刻,可以说时尚是由神圣的原则导向和支撑的。要探索的文化背景是20世纪90年代。在这种背景下,确定了三个文化时刻(和中介),每个都以一个简短的案例呈现,以说明当时时尚界神圣原则的定向存在。人们认为,通过反思和分析这些背景,类似的原则可以被重新设计和配置,以解决当前时尚界的文化问题。
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来源期刊
Fashion Style & Popular Culture
Fashion Style & Popular Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
53
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