{"title":"Communicative functions of visual metonymies in picture books targeted at children in two different age groups. A multimodal analysis","authors":"Arsenio Jesús Moya Guijarro","doi":"10.1080/00437956.2019.1670932","DOIUrl":null,"url":null,"abstract":"This article aims to examine how visual metonymies, in combination with verbal language, contribute to the representation of characters in a sample of six picture books written and illustrated by Anthony Browne and intended for children in two different age groups: 0–6 year-olds (also known as early readers) and children over six years of age. Social semiotic (Kress, Gunther, and Theo van Leeuwen. 2006 [1996]. Reading images: The grammar of visual design. London: Routledge; Painter, Clare, James Martin, and Len Unsworth. 2013. Reading visual narratives: Image analysis of children’s picture books. London: Equinox), and multimodal cognitive approaches (Forceville, Charles. 2009. Metonymy in visual and audiovisual discourse. In Eija Ventola and Arsenio J. Moya-Guijarro (eds.), The world told and the world shown: Multisemiotic Issues, 57–74. Basingstoke & New York: Palgrave Macmillan; Forceville, Charles, and Eduardo Urios-Aparisi. (eds.). 2009. Multimodal metaphor. Berlin & New York: Mouton de Gruyter) have been adopted to carry out this research. The results reveal that the proportions of metonymies and complete representations are significantly different across the tales intended for 0–6 and 7–9 year-old children. In addition, the analysis shows that source-in-target metonymic depictions (Ruiz de Mendoza, Ibáñez, F. J., and Velasco O. I. Díez. 2002. Patterns of conceptual interaction. In René Dirven and Ralf Pörings (eds.), Metaphor and metonymy in comparison and contrast, 489–532. Berlin and New York: Mouton de Gruyter) are essentially used by illustrators to highlight some essential aspects of the characters and the plots.","PeriodicalId":84010,"journal":{"name":"Word & world","volume":"213 1","pages":"193 - 212"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"8","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Word & world","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00437956.2019.1670932","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 8
Abstract
This article aims to examine how visual metonymies, in combination with verbal language, contribute to the representation of characters in a sample of six picture books written and illustrated by Anthony Browne and intended for children in two different age groups: 0–6 year-olds (also known as early readers) and children over six years of age. Social semiotic (Kress, Gunther, and Theo van Leeuwen. 2006 [1996]. Reading images: The grammar of visual design. London: Routledge; Painter, Clare, James Martin, and Len Unsworth. 2013. Reading visual narratives: Image analysis of children’s picture books. London: Equinox), and multimodal cognitive approaches (Forceville, Charles. 2009. Metonymy in visual and audiovisual discourse. In Eija Ventola and Arsenio J. Moya-Guijarro (eds.), The world told and the world shown: Multisemiotic Issues, 57–74. Basingstoke & New York: Palgrave Macmillan; Forceville, Charles, and Eduardo Urios-Aparisi. (eds.). 2009. Multimodal metaphor. Berlin & New York: Mouton de Gruyter) have been adopted to carry out this research. The results reveal that the proportions of metonymies and complete representations are significantly different across the tales intended for 0–6 and 7–9 year-old children. In addition, the analysis shows that source-in-target metonymic depictions (Ruiz de Mendoza, Ibáñez, F. J., and Velasco O. I. Díez. 2002. Patterns of conceptual interaction. In René Dirven and Ralf Pörings (eds.), Metaphor and metonymy in comparison and contrast, 489–532. Berlin and New York: Mouton de Gruyter) are essentially used by illustrators to highlight some essential aspects of the characters and the plots.
本文旨在研究视觉转喻是如何与口头语言相结合,在安东尼·布朗(Anthony Browne)撰写和插图的六本图画书中对角色的表现做出贡献的,这些图画书的目标读者是两个不同年龄段的儿童:0-6岁的儿童(也被称为早期读者)和6岁以上的儿童。社会符号学(Kress, Gunther, and Theo van Leeuwen. 2006[1996]。阅读图像:视觉设计的语法。伦敦:劳特利奇;画家,克莱尔,詹姆斯·马丁和莱恩·昂斯沃斯,2013。阅读视觉叙事:儿童绘本的形象分析。伦敦:春分)和多模态认知方法(福斯维尔,查尔斯。2009。视觉与视听语篇中的转喻。见Eija Ventola和Arsenio J. moya - gujarro主编,《被讲述的世界和被展示的世界:多符号学问题》,57-74页。贝辛斯托克&纽约:Palgrave Macmillan;查尔斯·福斯维尔和爱德华多·乌里奥斯·阿帕里西。(eds)。2009. 多通道的比喻。柏林和纽约:木桐德格鲁伊特)进行了这项研究。结果表明,在0-6岁和7-9岁儿童故事中,转喻和完全表征的比例存在显著差异。此外,分析表明,源在目标转喻描述(Ruiz de Mendoza, Ibáñez, f.j.和Velasco O. I. Díez)。2002. 概念交互模式。在ren Dirven和Ralf Pörings(编),隐喻和转喻的比较和对比,489-532。柏林和纽约:木桐德格鲁伊特)基本上是插画家用来突出人物和情节的一些重要方面的。