{"title":"Is It Okay to See This?","authors":"R. Cozzolino","doi":"10.1086/706835","DOIUrl":null,"url":null,"abstract":"My curatorial intervention for the Archives of American Art Journal presents a range of materials (photographs, letters, journal entries, clippings) I have encountered in my work that have made me stop and ask, “Should I be seeing this? – Is this okay?” These items have prompted me to consider the responsibilities a researcher has regarding discretion. Where does empathy lie in historical writing? How does a curator or art historian activate sensitive material in a way that is sympathetic to their subject? Are these legitimate concerns? Do they get in the way of telling the truth? When is it appropriate to reveal what could be difficult, compromising, expectation turning, or problematic? When is it off limits? Curators and art historians constantly navigate this space.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"19 1","pages":"70 - 81"},"PeriodicalIF":0.1000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVES OF AMERICAN ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/706835","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
Abstract
My curatorial intervention for the Archives of American Art Journal presents a range of materials (photographs, letters, journal entries, clippings) I have encountered in my work that have made me stop and ask, “Should I be seeing this? – Is this okay?” These items have prompted me to consider the responsibilities a researcher has regarding discretion. Where does empathy lie in historical writing? How does a curator or art historian activate sensitive material in a way that is sympathetic to their subject? Are these legitimate concerns? Do they get in the way of telling the truth? When is it appropriate to reveal what could be difficult, compromising, expectation turning, or problematic? When is it off limits? Curators and art historians constantly navigate this space.
我在《美国艺术杂志档案》(Archives of American Art Journal)上的策展介入展示了我在工作中遇到的一系列材料(照片、信件、日记条目、剪报),这些材料让我停下来问:“我应该看到这些吗?”-这样可以吗?”这些项目促使我考虑研究人员在自由裁量权方面的责任。在历史写作中,同理心在哪里?策展人或艺术史学家如何以一种同情他们主题的方式激活敏感材料?这些担忧合理吗?他们会妨碍你说真话吗?什么时候应该揭示什么是困难的、妥协的、期望转变的或有问题的?什么时候是禁区?策展人和艺术史学家不断地在这个空间中穿行。