Elektroniczny łowca: postać cyborga w kinie science fiction głównego nurtu

Q4 Arts and Humanities
Agnieszka Kamrowska
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引用次数: 0

Abstract

Kamrowska Agnieszka, Elektroniczny łowca: postać cyborga w kinie science fiction głównego nurtu [Electronic hunter: the cyborg in mainstream science fiction films]. “Images” vol. XXVIII, no. 37. Poznań 2020. Adam Mickiewicz University Press. Pp. 21–34. ISSN 1731-450X. DOI 10.14746/i.2020.37.02. The aim of this text is to analyze the cyborg motif in mainstream American science fiction films, as represented by the Terminator and RoboCop film series. The cyborg characters presented in these films are focused mainly on violence and destruction, which emphasizes the technophobic attitude of the culture within which these films were made. The only redemption of their otherness is showing their humanity. For a cyborg, its technological provenance is a burden and results in its sense of guilt. In this manner, American science fiction films support anthropocentrism and the conservative status quo.
Kamrowska Agnieszka, Elektroniczny łowca: postosti cyborga w kinie科幻小说głównego nurtu[电子猎人:主流科幻电影中的机器人]。《图象》第二十八卷,第7号。37. Poznań2020。亚当·米奇维奇大学出版社。还是页。ISSN 1731 - 450 x。DOI 10.14746 / i.2020.37.02。本文的目的是分析以《终结者》和《机械战警》系列电影为代表的美国主流科幻电影中的半机械人主题。这些电影中出现的半机械人角色主要集中在暴力和破坏上,这强调了这些电影制作文化的技术恐惧症态度。他们唯一的另类救赎就是展现他们的人性。对于半机械人来说,它的技术来源是一种负担,并导致它的内疚感。在这种情况下,美国科幻电影支持人类中心主义和保守的现状。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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