{"title":"Heroes and Martyrs Against Alienation: Growing up as Puer and Puella in Postmodern Society","authors":"Nuria Ciofalo","doi":"10.7728/0403201303","DOIUrl":null,"url":null,"abstract":"An innovative art intervention program named Art Works was offered to 47 Latino youths (ages 12-18) who were coping with chemical dependency and/or mental health illness. Art Works provided youth with a creative outlet to use art as a means for self-expression, self-awareness, and community involvement. A Jungian approach to youth development was applied by which youth participants were empowered to become aware of their inner dialogue with and about youth and art was used as a vehicle for inclusion of the youths’ voices. This intervention promoted movement flow into the deeper knowledge and understanding of the archetypes at play, those existing in the colonizer/oppressor (the adult, the Senex) and those existing in the colonized/oppressed (the youth, the puer and puella contemporaneous), as well as into their interplay and resolution. Outcomes were measured by applying multiple methods and instruments: a youth empowerment pre-post test, progress/group notes, personal journals, art products, behavior observations, and the application of random drug tests. The participatory program evaluation engaged youth in continued critical self-reflection. The quantitative and qualitative findings suggest that participants manifested increased self-awareness, improved positive peer associations, and reduced drug abuse as a result of their participation in the program. At the conclusion of the program 64% of the participants tested negative in random drug tests. The youth art products showed a dramatic change in their content, namely, from obsessive drug related representations to colorful, abstract, and futuristic images. The implications for art-based interventions and related youth development are discussed.","PeriodicalId":87260,"journal":{"name":"Global journal of community psychology practice","volume":"44 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2013-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Global journal of community psychology practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7728/0403201303","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
An innovative art intervention program named Art Works was offered to 47 Latino youths (ages 12-18) who were coping with chemical dependency and/or mental health illness. Art Works provided youth with a creative outlet to use art as a means for self-expression, self-awareness, and community involvement. A Jungian approach to youth development was applied by which youth participants were empowered to become aware of their inner dialogue with and about youth and art was used as a vehicle for inclusion of the youths’ voices. This intervention promoted movement flow into the deeper knowledge and understanding of the archetypes at play, those existing in the colonizer/oppressor (the adult, the Senex) and those existing in the colonized/oppressed (the youth, the puer and puella contemporaneous), as well as into their interplay and resolution. Outcomes were measured by applying multiple methods and instruments: a youth empowerment pre-post test, progress/group notes, personal journals, art products, behavior observations, and the application of random drug tests. The participatory program evaluation engaged youth in continued critical self-reflection. The quantitative and qualitative findings suggest that participants manifested increased self-awareness, improved positive peer associations, and reduced drug abuse as a result of their participation in the program. At the conclusion of the program 64% of the participants tested negative in random drug tests. The youth art products showed a dramatic change in their content, namely, from obsessive drug related representations to colorful, abstract, and futuristic images. The implications for art-based interventions and related youth development are discussed.