{"title":"Weaving Cloaks and Whakataukī: A Memoir","authors":"Joan Metge","doi":"10.15286/jps.131.1.7-32","DOIUrl":null,"url":null,"abstract":"Beginning with holiday work in the ethnology workroom at Auckland War Memorial Museum, the author, a social anthropologist, traces the development of her lifelong interest and involvement in the Māori art of weaving harakeke ‘Māori flax’ (Phormium tenax). Special attention is given to the weaving of whatu ‘ceremonial cloaks’ and the weaving of words and metaphors in whakataukī ‘proverbs and sayings’, poetry and storytelling. In the process she shares treasured memories of learning, from and with Māori friends and mentors expert in these arts, and emphasises the continual interweaving of contemporary transformations with inherited traditions in response to changing times.","PeriodicalId":45869,"journal":{"name":"Journal of the Polynesian Society","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Polynesian Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.15286/jps.131.1.7-32","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
Beginning with holiday work in the ethnology workroom at Auckland War Memorial Museum, the author, a social anthropologist, traces the development of her lifelong interest and involvement in the Māori art of weaving harakeke ‘Māori flax’ (Phormium tenax). Special attention is given to the weaving of whatu ‘ceremonial cloaks’ and the weaving of words and metaphors in whakataukī ‘proverbs and sayings’, poetry and storytelling. In the process she shares treasured memories of learning, from and with Māori friends and mentors expert in these arts, and emphasises the continual interweaving of contemporary transformations with inherited traditions in response to changing times.
作为一名社会人类学家,作者从奥克兰战争纪念博物馆(Auckland War Memorial Museum)民族学工作室的假期工作开始,追溯了她一生兴趣的发展和对Māori编织harakeke ' Māori亚麻' (Phormium tenax)艺术的参与。特别注意的是“仪式斗篷”的编织,以及“谚语和谚语”、诗歌和讲故事中词语和隐喻的编织。在这个过程中,她分享了宝贵的学习记忆,从Māori的朋友和导师那里学习,并与这些艺术专家分享,并强调当代转型与继承传统的持续交织,以应对不断变化的时代。