Engendering the Anthropocene in Oceania: Fatalism, Resilience, Resistance

Q3 Social Sciences
Margaret Jolly
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引用次数: 16

Abstract

The concept of the Anthropocene confounds Eurocentric distinctions of natural and human history, as Dipesh Chakrabarty observes. But who are ‘we’ in the Anthropocene, how do notions of our shared humanity contend with the cascading global inequalities of place, race, class and gender. Oceania is often said to have contributed the least and suffered the most from climate change. Pacific women, and especially those living on low lying atolls, have been portrayed as the most vulnerable to the disastrous consequences of climate change. This focuses on sea level rise and the toxic mixing, the elemental confusion of salt and fresh water caused by atmospheric changes and global warming. While not negating the gravity of present and future scenarios, how can we move beyond the pervasive fatalism of foreign framings and seemingly opposed clichéd evocations of ‘resilience’? The moniker of the Pacific Climate Warriors 350.org ‘We are not drowning, we are fighting’ evokes a contrary trope of resistance and resonates with Oceanic activism in politics and the creative arts.[i] Tracing such a genealogy of resistance might start with a greater respect for Indigenous knowledges and embodied practices in contemporary understandings of ‘climate cultures’ in Oceania which do not routinely distinguish between natural and human history.[ii]
大洋洲人类世的产生:宿命论、恢复力、抵抗
正如Dipesh Chakrabarty所观察到的,人类世的概念混淆了以欧洲为中心的自然史和人类史的区别。但是,在人类世中,“我们”是谁?我们共同的人性观念如何与全球范围内的地域、种族、阶级和性别不平等现象相抗衡?人们常说,大洋洲对气候变化的影响最小,受影响最大。太平洋地区的妇女,尤其是那些生活在低洼环礁上的妇女,被描绘成最容易受到气候变化灾难性后果的影响。这主要关注海平面上升和有毒物质的混合,以及大气变化和全球变暖导致的盐和淡水元素的混淆。在不否定当前和未来情景的严重性的同时,我们如何才能超越普遍存在的外国框架宿命论和看似反对的“弹性”的陈词滥调?太平洋气候战士350.org的绰号“我们不是在溺水,我们是在战斗”唤起了一种相反的抵抗修辞,并与海洋在政治和创意艺术方面的激进主义产生了共鸣。[i]追踪这样的抵抗谱系,可以从对大洋洲当代“气候文化”理解中的土著知识和具体实践的更大尊重开始,这些文化通常不区分自然历史和人类历史。[ii]
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: Cultural Studies Review is a peer-reviewed journal devoted to the publication and circulation of quality thinking in cultural studies—in particular work that draws out new kinds of politics, as they emerge in diverse sites. We are interested in writing that shapes new relationships between social groups, cultural practices and forms of knowledge and which provides some account of the questions motivating its production. We welcome work from any discipline that meets these aims. Aware that new thinking in cultural studies may produce a new poetics we have a dedicated new writing section to encourage the publication of works of critical innovation, political intervention and creative textuality.
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