{"title":"Editorial: Literature and Security","authors":"L. Gearon","doi":"10.18778/2083-2931.11.02","DOIUrl":null,"url":null,"abstract":"Literature is a lie which seeks to tell a truth. Espionage is a trade dependent on deceit. Where the two professions meet, the dissembling knows no limit (Gearon, “A Landscape of Lies in the Land of Letters”). John le Carré, the nom-de-plume of the late David Cornwell (1931–2020), reflected more than any novelist of our time on the interface of literature and security. In his case, that was a life lived in service, to the British Secret Intelligence Service, MI6, and the Security Services, MI5, and a life lived, too, in the service of literature. The author stated: “I’m a liar, born to lying, bred to it, trained to it by an industry that lies for a living, practised in it as a novelist” (Sisman 1). In The Pigeon Tunnel, le Carré aptly characterizes his autobiography as “stories from my life,” the subtitle of his work. It is a narrative in which the dual worlds of security and secret intelligence are inseparable from his love of and dedication to writing; there is little or no separation from his life and his art. Born in 1931 and educated in the English public-school system he was a patriotic schoolboy during the Second World War. Skilled at languages and loving literature, he left England, as he himself admits, to escape a difficult relationship with his father, and to study modern languages at the University of Bern in Switzerland. It was there, as his autobiography details, that a dedicated patriot developed an intense love of all literatures, especially German. David Cornwell’s national service as part of the British Army’s Intelligence Corps was put to good use in the interrogation of those who crossed from the other side of what was now called the Iron Curtain to where he was stationed in Allied-occupied Austria. Vienna, in the early period of the Cold War, was the crossroads of intelligence. Look simply to the novels of the time by Graham Greene above all to see the spies on those streets. Completing his National Service, David Cornwell returned to England, and Oxford, in 1952, at an age when today he would be called a mature student, at Lincoln College. His unofficial and covert duties Text Matters, Number 11, 2021 https://doi.org/10.18778/2083-2931.11.02","PeriodicalId":41165,"journal":{"name":"Text Matters-A Journal of Literature Theory and Culture","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Text Matters-A Journal of Literature Theory and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18778/2083-2931.11.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
Literature is a lie which seeks to tell a truth. Espionage is a trade dependent on deceit. Where the two professions meet, the dissembling knows no limit (Gearon, “A Landscape of Lies in the Land of Letters”). John le Carré, the nom-de-plume of the late David Cornwell (1931–2020), reflected more than any novelist of our time on the interface of literature and security. In his case, that was a life lived in service, to the British Secret Intelligence Service, MI6, and the Security Services, MI5, and a life lived, too, in the service of literature. The author stated: “I’m a liar, born to lying, bred to it, trained to it by an industry that lies for a living, practised in it as a novelist” (Sisman 1). In The Pigeon Tunnel, le Carré aptly characterizes his autobiography as “stories from my life,” the subtitle of his work. It is a narrative in which the dual worlds of security and secret intelligence are inseparable from his love of and dedication to writing; there is little or no separation from his life and his art. Born in 1931 and educated in the English public-school system he was a patriotic schoolboy during the Second World War. Skilled at languages and loving literature, he left England, as he himself admits, to escape a difficult relationship with his father, and to study modern languages at the University of Bern in Switzerland. It was there, as his autobiography details, that a dedicated patriot developed an intense love of all literatures, especially German. David Cornwell’s national service as part of the British Army’s Intelligence Corps was put to good use in the interrogation of those who crossed from the other side of what was now called the Iron Curtain to where he was stationed in Allied-occupied Austria. Vienna, in the early period of the Cold War, was the crossroads of intelligence. Look simply to the novels of the time by Graham Greene above all to see the spies on those streets. Completing his National Service, David Cornwell returned to England, and Oxford, in 1952, at an age when today he would be called a mature student, at Lincoln College. His unofficial and covert duties Text Matters, Number 11, 2021 https://doi.org/10.18778/2083-2931.11.02
期刊介绍:
Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).