Kartográfiai módszer az irodalomtörténetben

Kappanyos András
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Abstract

The Cartographic Method in Literary History In the new millennium, the Institute of Literary Studies has undertaken the task of preparing a new multi-volume handbook of Hungarian literary history. From the very beginning, the concept was based on a few consensual insights: the narrative we put forward must in no way be ideology-driven and in no way teleological – even though its subject matter often consists of ideological and teleological constructions – and its approach must strive for encyclopaedic balance. Our research group, which is working on the period from the last decade of the 19th century to the present, is facing particular difficulties with regard to these principles. Almost none of the existing synthetic treatments of the first half of the period can be used, precisely because of their ideological load; while the second half is fraught with unresolved debates, ideological and teleological. The history of the period is fragmented by traumas of non-literary (primarily political-historical) origin, while the number of objects relevant to historiography (works, institutions, ideas, initiatives, channels of communication, media frameworks, etc.) is growing at an unprecedented rate, forcing a rigorous selection which then has to be defended again against accusations of ideological influence. This paper attempts to outline the preliminary modelling operations that might help our research group to meet these challenges. Keywords: Hungarian literature, Modernism, literary history, cartographic method
文学史的制图方法在新的千年里,文学研究所承担了编写一本新的多卷本匈牙利文学史手册的任务。从一开始,这个概念就建立在一些共识的基础上:我们提出的叙述绝不能被意识形态所驱动,也绝不能被目的论所驱动——即使它的主题经常由意识形态和目的论的构建组成——它的方法必须努力达到百科全书式的平衡。我们的研究小组正在研究从19世纪最后十年到现在的时期,在这些原则方面面临着特别的困难。几乎没有一种现有的前半期的综合治疗方法可以使用,正是因为它们的思想负荷;而后半段充满了未解决的争论,意识形态和目的论。这一时期的历史被非文学(主要是政治历史)起源的创伤支离破碎,而与史学相关的对象(作品、制度、思想、倡议、沟通渠道、媒体框架等)的数量正以前所未有的速度增长,迫使人们进行严格的选择,然后必须再次为意识形态影响的指责辩护。本文试图概述初步的建模操作,这可能有助于我们的研究小组迎接这些挑战。关键词:匈牙利文学,现代主义,文学史,制图方法
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