Polish Literary Reckoning of the Post-WWII Population Resettlement: the Lens of “Tender Narrator”

A. Stępień
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Abstract

This article investigates two literary texts, House of Day, House of Night (2002) by Olga Tokarczuk and Piaskowa Góra [Sand Mountain] (2009) by Joanna Bator and how they overcome the divisive and politicized narration of the post-WWII population expulsions and resettlement in Poland. The article argues that by employing the “tender narrator,” (Tokarczuk, 2019) e.g. directing readers’ attention to the former German items of everyday use and their stories, the writers create a more empathetic version of this period of history, thus recovering the memories of the, largely silenced, Polish and German experiences of displacement. Adopting postcolonial approaches, the article draws from affect theories and studies of how displaced populations relate emotionally to the changing material environment (Svašek, 2012) to examine the attitudes and emotions of the Poles dealing with the objects, landscape and property of the German deportees. These texts raise important questions about the foundations of the communities in the Polish-German borderlands, and their wider implications for Polish-German relations.
二战后波兰人口安置的文学清算:“温柔叙述者”的镜头
本文考察了奥尔加·托卡丘克的《白天的房子,夜晚的房子》(2002)和乔安娜·巴托的《沙山》(2009)这两部文学作品,以及它们如何克服二战后波兰人口驱逐和重新安置的分裂和政治化叙述。文章认为,通过使用“温柔的叙述者”(Tokarczuk, 2019),例如将读者的注意力引导到以前的德国日常用品及其故事上,作者创造了这段历史的更具同理心的版本,从而恢复了大部分沉默的波兰和德国流离失所经历的记忆。采用后殖民方法,本文借鉴了影响理论和研究流离失所人口如何在情感上与不断变化的物质环境相关联(Svašek, 2012),以研究波兰人处理德国被驱逐者的物品、景观和财产的态度和情感。这些文本提出了关于波兰-德国边境地区社区基础的重要问题,以及它们对波兰-德国关系的更广泛影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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