Understanding transnational decontextualization-recontextualization through Shingeki no Kyojin: The perils and possibilities surrounding Japanese manga and anime
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引用次数: 0
Abstract
ABSTRACT Japanese anime has continued to gain recognition as one of the strongest cultural influences in a globalized world. We examine how the transnational process of decontextualization-recontextualization can shift the messages of popular culture texts as situated in differing collective memories. To highlight this process, we analyze Shingeki no Kyojin (known to English-speaking audiences as Attack on Titan). Shingeki no Kyojin provides insightful grounds for analysis given its tremendous popularity in both Japan and beyond, its message of resistance against U.S. militarism, and its recontextualized uptake by the American alt-right, even including an Arizona congressman. Our analysis reveals the importance of understanding popular culture alongside context and the impact of decontextualized-recontextualized transformations of meaning on transnational processes of collective memory discourse.
期刊介绍:
Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.