Narrative Sequence Position of Close-Ups Influences Cognitive and Affective Processing and Facilitates Theory of Mind

IF 0.1 4区 艺术学 0 ART
K. Bálint, B. Rooney
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引用次数: 4

Abstract

Close-up shots have been shown to modulate affective, cognitive and theory-of-mind responding to visual narratives. However, the role of close-up’s narrative-sequence position, that is the relative timing of close-up shots in a visual narrative, is largely unknown. Participants watched one of ten versions of the same animated film, after we inserted a close-up shot (neutral or a sad face) at one of five different time points. Story recall responses of 168 participants were analyzed by the Linguistic Inquiry of Word Count, a computerized content analysis software, and coded manually for theory of mind. The narrative-sequence position of the close-up influenced the level of cognitive processing, affective processing, and theory of mind evident in participant responses where a U-shaped relationship was observed for the close-up position. These findings further our understanding of how close-ups affect narrative processing and are of relevance for studies on formal features in visual narratives.
特写叙事序列位置影响认知和情感加工,促进心理理论
特写镜头已被证明可以调节对视觉叙事的情感、认知和心理理论反应。然而,特写镜头的叙事序列位置的作用,即特写镜头在视觉叙事中的相对时间,在很大程度上是未知的。在我们在五个不同的时间点插入特写镜头(中性或悲伤的脸)之后,参与者观看了同一部动画电影的十个版本中的一个。采用计算机化内容分析软件“词数语言调查”对168名被试的故事回忆进行分析,并进行人工编码。特写镜头的叙事顺序位置影响认知加工、情感加工和心理理论的水平,这在参与者的反应中很明显,其中特写镜头位置观察到u形关系。这些发现进一步加深了我们对特写镜头如何影响叙事加工的理解,并对视觉叙事的形式特征研究具有重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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