Fototesti di viaggio: Absolutely nothing di Giorgio Vasta e Ramak Fazel

IF 0.2 Q4 LINGUISTICS

Studi e Saggi Linguistici Pub Date : 2021-01-01 DOI:10.36253/978-88-5518-467-0.31

F. Fastelli

引用次数: 0

Abstract

The essay examines the travel photo-text genre from a theoretical point of view, through the example of Absolutely Nothing by Giorgio Vasta and Ramak Fazel. It discusses the key issues and perspectives within the theory and methodology of visual studies and visual culture and describes the opposition between the verbal and visual parts of the volume, understood as a “Struggle for Territory”. This puts on strain the foundations of the travel story tradition, such as the narrative authentication.

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本文以乔治·瓦斯塔和拉马克·法泽尔的《绝对没有》为例，从理论的角度考察了旅游摄影文本类型。它讨论了视觉研究和视觉文化的理论和方法论中的关键问题和观点，并描述了本书中语言和视觉部分之间的对立，被理解为“领土斗争”。这给旅行故事传统的基础带来了压力，比如叙述的真实性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Studi e Saggi Linguistici LINGUISTICS-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： debate in Italy, especially for those scholars working in the field of Indo-European Historical Linguistics and contemporary Theoretical Linguistics. Today, after 50 years of life, Studi e Saggi Linguistici has a firm position in this field, but it also gained a larger international profile, including well-known foreign scholars as members of its Scientific Committee, and fostering the publication of English-written papers. The Editors always aim at publishing original and innovative papers, whose quality and exactness are guaranteed by the prestigious Scientific Committee, and by the anonymous peer-review process. Although a certain preference is accorded to both historical and general Linguistics, in line with the tradition, the Journal welcomes scientific contributions concerning any linguistic field, with no preference or prejudice for particular methodological approaches and theoretical paradigms.