The Sanctuary of the Spectacle: Megachurches and the Production of Christian Celebrities and Consumers

IF 0.7 0 RELIGION
Josiah Kidwell, M. Borer
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引用次数: 0

Abstract

ABSTRACT Using mixed qualitative methods, this research analyzes the entanglement of religion, media, and celebrity culture in the context of a Las Vegas-based megachurch. First, we analyze how the church adopts a culture industry approach, transforming and retrofitting it for religious practice. Second, we unpack the implications of media and celebrity culture as a platform for the transmission of religious meaning. Finally, we explore the compounding quality of these elements (celebrity, technology, and religion) and its effects in this form of religious syncretism. Though a reductionistic analysis may be tempting, this research presents a case in which new forms of technology functions to synthesize and augment a blending of celebrity culture and spiritual practice that escapes any singular type of characterization. Religion, in this context, presents many physical and virtual faces, rooted in the blending of heterogenous elements in the worship experience.
奇观的圣殿:巨型教堂和基督教名人和消费者的生产
本研究采用混合定性方法,分析了宗教、媒体和名人文化在拉斯维加斯巨型教堂背景下的纠缠。首先,我们分析了教堂如何采用文化产业的方法,将其改造和改造为宗教活动。其次,我们揭示了媒体和名人文化作为传播宗教意义的平台的含义。最后,我们探讨了这些元素(名人、技术和宗教)的复合质量及其在这种形式的宗教融合中的影响。虽然一种简化的分析可能很诱人,但这项研究提出了一个案例,在这个案例中,新形式的技术功能可以综合和增强名人文化和精神实践的融合,而不受任何单一类型的描述。在这种背景下,宗教呈现出许多实体和虚拟的面孔,根植于礼拜体验中异质元素的混合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.60
自引率
0.00%
发文量
9
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