{"title":"Virtuoos en betrokken","authors":"Jan-Bart Claus","doi":"10.5117/tntl2021.3.002.clau","DOIUrl":null,"url":null,"abstract":"\n This article contributes to the discussion between heteronomous and autonomous poetics, using Ilja Leonard Pfeijffer’s poetics as a case study. Pfeijffer explicitly adopts a more heteronomous pose in interviews and in essays following his Hoewordikeenberoemdschrijver? (2012). Critical reception examining Pfeijffers work prior to that publication has on the other hand largely concluded it to be ‘virtuous, but playful’. This article analyses that change by emphasising that his poetics have become ‘virtuous and engaged’, or in regards to his prose ‘postmodern and engaged’. The first chapter grounds the article in the discussion of the dichotomy between authorial autonomy and heteronomy, which will lead to a poetics of ‘heteronomous postmodernism’ that simultaneously values the heteronomous and the postmodernist. This concept is then used to analyse the implicit poetics of Pfeijffer’s latest novel Grand Hotel Europa (2018).","PeriodicalId":53996,"journal":{"name":"TIJDSCHRIFT VOOR NEDERLANDSE TAAL-EN LETTERKUNDE","volume":"210 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TIJDSCHRIFT VOOR NEDERLANDSE TAAL-EN LETTERKUNDE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/tntl2021.3.002.clau","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
引用次数: 0
Abstract
This article contributes to the discussion between heteronomous and autonomous poetics, using Ilja Leonard Pfeijffer’s poetics as a case study. Pfeijffer explicitly adopts a more heteronomous pose in interviews and in essays following his Hoewordikeenberoemdschrijver? (2012). Critical reception examining Pfeijffers work prior to that publication has on the other hand largely concluded it to be ‘virtuous, but playful’. This article analyses that change by emphasising that his poetics have become ‘virtuous and engaged’, or in regards to his prose ‘postmodern and engaged’. The first chapter grounds the article in the discussion of the dichotomy between authorial autonomy and heteronomy, which will lead to a poetics of ‘heteronomous postmodernism’ that simultaneously values the heteronomous and the postmodernist. This concept is then used to analyse the implicit poetics of Pfeijffer’s latest novel Grand Hotel Europa (2018).
本文以伊尔加·伦纳德·普费佛的诗学为个案,探讨了他律诗学与自主诗学之间的关系。在Hoewordikeenberoemdschrijver?(2012)。另一方面,在那篇文章发表之前,评论界对pfeijffer作品的评价很大程度上是“有道德,但很好玩”。本文通过强调他的诗学变得“高尚而投入”,或者在他的散文方面变得“后现代而投入”来分析这种变化。第一章以作者自主性和他治性的二分法为基础,探讨作者自主性和他治性的二分法,从而形成一种同时重视他治性和后现代主义的“他治性后现代主义”诗学。这一概念随后被用于分析菲佛最新小说《欧罗巴大饭店》(Grand Hotel Europa, 2018)的含蓄诗学。
期刊介绍:
Al meer dan een eeuw wordt het Tijdschrift voor Nederlandse taal- en letterkunde uitgegeven door de Maatschappij der Nederlandse letterkunde te Leiden. TNTL richt zich op de historische neerlandistiek in de ruimste zin. Men vindt er artikelen over historische taalkunde (inclusief lexicografie) en diachrone aspecten van taalvariatie in het (hedendaagse) Nederlands, alsmede over de letterkunde vanaf de Middeleeuwen tot het einde van de twintigste eeuw. De artikelen zijn bedoeld om een breed publiek van neerlandici te bereiken, hetgeen onder meer impliceert dat behalve naar wetenschappelijke diepgang ook gestreefd wordt naar leesbaarheid.