Hamlet and the Soul-Sleepers

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES
Vladimir Brljak
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引用次数: 1

Abstract

ABSTRACT The article argues that the soliloquy, ‘To be, or not to be,’ in Shakespeare’s Hamlet is informed by soul-sleeping: the belief that on its separation from the body at death, the soul enters an unconscious state typically described as sleep or a sleep-like stupor, in which it remains until wakened and joined with the resurrected body, and then assessed at the Last Judgment. The doctrine was advocated in some of Luther’s works of the 1520s and 1530s and found acceptance among some early English Protestants, but was destined to be repudiated by later Protestant orthodoxy, and was universally condemned by mainstream Protestant thinking of Shakespeare’s day. The article surveys the history of this heterodoxy in England, demonstrates its continuing significance in the late-sixteenth and early-seventeenth century, elucidates the references to the doctrine in Hamlet’s soliloquy, and discusses their relevance to the broader understanding of the religious subtext of the play.
《哈姆雷特与睡魂者
本文认为,莎士比亚的《哈姆雷特》中的独白“生存还是毁灭”是由灵魂睡眠引起的:灵魂相信在死亡时与身体分离,灵魂进入一种无意识的状态,通常被描述为睡眠或类似睡眠的麻木状态,直到被唤醒并与复活的身体结合,然后在最后的审判中接受评估。路德在1520年代和1530年代的一些著作中提出了这一教义,并得到了一些早期英国新教徒的接受,但注定要被后来的正统新教所否定,并受到莎士比亚时代主流新教思想的普遍谴责。本文考察了这一异端教义在英国的历史,论证了它在16世纪末和17世纪初的持续意义,阐明了哈姆雷特独白中对这一教义的引用,并讨论了它们与更广泛地理解戏剧的宗教潜台词的相关性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
REFORMATION & RENAISSANCE REVIEW
REFORMATION & RENAISSANCE REVIEW MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
0.00%
发文量
10
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