Feminist Conspiracies, Security Aunties, and Other Surveillance State Fictions

Q2 Arts and Humanities
Patricia Stuelke
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引用次数: 0

Abstract

This article investigates two recent fictional representations of the feminized US surveillance state and its “security feminists” (Grewal), with an eye towards limning what visions of social transformation and political life such representations make possible. It first examines Gish Jen’s 2020 novel The Resisters, considering how the novel’s characterization of the US surveillance state as a snoopy suspicious Aunt maintains American liberal fantasies about the value of productive work and institutionally-sanctioned responses to state violence, even as the novel attempts to find grounds for reinvigorating a democratic commons. Jeff Vandermeer’s 2021 novel Hummingbird Salamander, in contrast, is suspicious of democratic visions of the social. Instead, the novel unravels the privatized figure of the “security mom” (Grewal) in order to experiment with how a queer antisocial orientation might confront environmental and institutional collapse and reimagine the idea of “security” itself.
女权主义阴谋,安全阿姨,和其他监视国家的小说
本文调查了最近女性化的美国监控国家及其“安全女权主义者”(Grewal)的两种虚构表现形式,着眼于阐明这种表现形式使社会转型和政治生活的愿景成为可能。本文首先考察任碧莲(Gish Jen)于2020年出版的小说《抵抗者》(The Resisters),考虑小说如何将美国监控国家描绘成一个史诺比多疑的姑妈,维持了美国人对生产性工作价值的自由主义幻想,以及对国家暴力的制度认可反应,尽管小说试图找到重振民主公地的理由。相比之下,杰夫·范德米尔(Jeff Vandermeer) 2021年的小说《蜂鸟蝾螈》(Hummingbird Salamander)对社会的民主愿景持怀疑态度。相反,这部小说揭示了“安全妈妈”(格鲁瓦尔饰)这个私有化的形象,目的是实验酷儿的反社会取向如何面对环境和制度的崩溃,并重新想象“安全”本身的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Review of International American Studies
Review of International American Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
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