Perempuan sebagai Simbol dalam Penciptaan Seni Lukis Kontemporer

Q1 Arts and Humanities
Atiqah Suci Ramadhanti, Yasrul Sami
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引用次数: 0

Abstract

The purpose of the creation of this work is as a work of social criticism and messenger because it visualizes the negative behavior received by women in their social life in society in contemporary painting. The method of creating the work uses five stages, namely the preparation stage (observation and exploration), elaboration (searching and collecting references), synthesis (application of main ideas), realization of concepts (making works) and the completion stage (in the form of reports and exhibitions of final works). In creating the artworks, the author used acrylic paint and mixed media in the form of paper on canvas. The ten works that the author created each contain themes about the struggles and feelings of women amidst the onslaught of negative comments as they try to live a better life, the resulting works measure 100 x 120 cm with titles including: Judge, I Can Fly Too, Aku dan Saya, Kami Tidak Sama, Perempuan! Bukan Wanita, Money Can't Buy Your Freedom, Kehormatan, Jujur, Madame Red, and Tatap.
女性是当代绘画艺术创造的象征
这个作品的创作目的是作为一个社会批判和信使的作品,因为它将当代绘画中女性在社会生活中所受到的负面行为形象化。作品的创作方法分为五个阶段,即准备阶段(观察和探索)、阐述阶段(查找和收集参考资料)、综合阶段(应用主要思想)、概念实现阶段(制作作品)和完成阶段(以最终作品的报告和展览的形式)。在创作过程中,作者使用了丙烯颜料和画布上纸的混合介质。作者创作的十件作品都包含了女性在试图过上更好生活的负面评论的冲击中挣扎和感受的主题,最终作品尺寸为100 x 120厘米,标题包括:法官,我也能飞,Aku dan Saya, Kami Tidak Sama, Perempuan!布坎·瓦尼塔,《金钱买不到自由》,《科霍马坦》,《朱朱尔》,《红夫人》和《塔塔普》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Ahkam Jurnal Ilmu Syariah
Ahkam Jurnal Ilmu Syariah Arts and Humanities-Religious Studies
CiteScore
3.30
自引率
0.00%
发文量
0
审稿时长
4 weeks
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