Between Two Funerals: Zombie Temporality and Media Ecology in Japan

IF 0.4 4区 社会学 0 ASIAN STUDIES
Alexander Zahlten
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引用次数: 0

Abstract

Abstract:This article explores the popular shift to a media-ecological understanding in post-1960s Japan. Bookending its investigation with two actual funerals held for fictional characters in 1970 and 2007, it tracks the trope of death to map the increased interlocking of media temporality and everyday temporality in intensified media capitalism. As characters attain the ability to die, they are increasingly reanimated (to die again) in other media. Death and reanimation thereby become an expression of transformations at the intersection of media-systemic, economic, and aesthetic levels. The article concludes that death and reanimation across media channels point to a new rhythmic temporal regime. Characters are now mortal but cannot die, doomed to become eternally wandering media-mix zombies. The article relates this media economy linked to themes of death and animation to recent discussions of capitalist animism by figures such as Michael Taussig, Achille Mbembe, and Steven Shaviro. The article then offers a brief outlook on the most recent expressions of this zombie economy in narrative tropes of time loops and alternative realities.
两个葬礼之间:日本的僵尸时间性与媒介生态
摘要:本文探讨了20世纪60年代后日本向媒介生态学理解的转变。以1970年和2007年为虚构人物举行的两场实际葬礼作为调查的结尾,它追踪了死亡的比喻,以描绘在强化的媒体资本主义中,媒体时间性和日常时间性之间日益紧密的联系。当角色获得死亡能力时,他们就会在其他媒体中复活(再次死亡)。因此,死亡和复活成为了媒介系统、经济和美学层面的交叉转换的表达。文章的结论是,跨媒体渠道的死亡和复活指出了一种新的有节奏的时间制度。角色现在是凡人,但不会死,注定要成为永远游荡的媒体混合僵尸。这篇文章将这种与死亡和动画主题相关的媒体经济与最近由Michael Taussig、Achille Mbembe和Steven Shaviro等人物讨论的资本主义万物有灵论联系起来。然后,本文简要介绍了这种僵尸经济在时间循环和另类现实的叙事修辞中的最新表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Positions-Asia Critique
Positions-Asia Critique ASIAN STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
29
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