Making Sense of the Future: Valuing Industrial Heritage in the Anthropocene

IF 0.1 4区 艺术学 Q3 Arts and Humanities
Inger Birkeland
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引用次数: 3

Abstract

Abstract:This article deals with the problem of making sense of the future. Future-making is an interesting issue to consider when exploring contemporary uses of the industrial past. Critical analysis of industrial heritage takes on new dimensions in light of global climate change, which implies a fundamentally different context for valuing the past. The article focuses on the imaginary construction of the future in relation to the heritage of industrial societies. Focusing on the Telemark region of Norway, it examines how narratives of industrialization and deindustrialization have been implicated in the region's heritage. Two towns in Telemark were added to UNESCO's World Heritage List in 2015 under the category of technical-industrial heritage, and they hold a special place in Norwegian modern history and identity. Here, I discuss the extent to which images of the future were either present or absent in the narratives constructed about the place. I also argue that heritagization is related not only to the past but to the future through the way humans make and draw upon visions of sustainable futures using aspiration and imagination.
理解未来:人类世工业遗产的价值评估
摘要:本文讨论了未来的意义问题。在探索工业历史的当代用途时,创造未来是一个值得考虑的有趣问题。在全球气候变化的背景下,对工业遗产的批判性分析呈现出新的维度,这意味着对过去的评价有着根本不同的背景。本文的重点是与工业社会遗产有关的对未来的想象建构。它以挪威的泰勒马克地区为重点,探讨了工业化和去工业化的叙述如何与该地区的遗产有关。2015年,泰勒马克的两个城镇被列入联合国教科文组织世界遗产名录,属于技术工业遗产类别,它们在挪威现代历史和身份中占有特殊地位。在这里,我讨论了未来的图像在关于这个地方的叙事中存在或缺失的程度。我还认为,遗产化不仅与过去有关,而且与未来有关,这是通过人类利用愿望和想象力创造和利用可持续未来愿景的方式实现的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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