“I’m real when I shop my face”: Glitch virality & Sophie’s cyborg dream

IF 1.1 2区文学 Q3 COMMUNICATION

Critical Studies in Media Communication Pub Date : 2023-05-27 DOI:10.1080/15295036.2023.2228373

Tyler S. Rife

引用次数: 0

Abstract

ABSTRACT This essay aims to contribute to ongoing explorations of glitch feminism and its capacities for resistance against capitalist- and cis-normativity. To this theoretical project, I contribute the concept of glitch virality by emphasizing glitch feminism’s circulation across digital, social, and material registers. Through an attendance to glitch virality, the project of glitch feminism is figured as a queer worldmaking project for those subject to the violences of dominative gendered constructs. To demonstrate this concept, I conduct a close reading of the music, visual texts, and multimodal circulations of glitch by electronic artist SOPHIE, whose enactments of glitch feminism demonstrate its viral capacities.

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“当我化妆的时候，我是真实的”:故障病毒式传播和苏菲的机器人梦

本文旨在探讨故障女性主义及其抵抗资本主义和顺式规范的能力。在这个理论项目中，我通过强调故障女权主义在数字、社会和物质领域的循环，贡献了故障病毒式传播的概念。通过对故障病毒式传播的关注，故障女权主义项目被认为是一个为那些受支配性性别结构暴力影响的人打造酷儿世界的项目。为了证明这一概念，我仔细阅读了电子艺术家SOPHIE的音乐、视觉文本和glitch的多模态循环，她对glitch女权主义的演绎展示了它的病毒式传播能力。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Critical Studies in Media Communication COMMUNICATION-

CiteScore

2.10

自引率

0.00%

发文量

期刊介绍： Critical Studies in Media Communication (CSMC) is a peer-reviewed publication of the National Communication Association. CSMC publishes original scholarship in mediated and mass communication from a cultural studies and/or critical perspective. It particularly welcomes submissions that enrich debates among various critical traditions, methodological and analytical approaches, and theoretical standpoints. CSMC takes an inclusive view of media and welcomes scholarship on topics such as • media audiences • representations • institutions • digital technologies • social media • gaming • professional practices and ethics • production studies • media history • political economy. CSMC publishes scholarship about media audiences, representations, institutions, technologies, and professional practices. It includes work in history, political economy, critical philosophy, race and feminist theorizing, rhetorical and media criticism, and literary theory. It takes an inclusive view of media, including newspapers, magazines and other forms of print, cable, radio, television, film, and new media technologies such as the Internet.