What is it like to be a crane? Notes on Alevi semah and the Sivas massacre

Abstract

ABSTRACT Semah is an Alevi ritual practice performed throughout Anatolia (Turkey) and the Alevi diaspora consisting of collective, dance-like movements that often take on or mimic the movements of animals, especially cranes. In attempting to elucidate that interplay between human performer and sacred animal, I draw on theoretical writings (especially philosophy and affect theory) about how people might – or might not – be able to become – or become like – other animals or forms of life, and what kind of affective processes that becoming might entail. I focus here especially on the role of semah in Sivas, Turkey, during the 1993 Pir Sultan Cultural Festival, during which Alevi participants, including many semah performers and musicians, were killed in an arson attack. Histories of that event highlight how prior to the attack, semah performers at the festival exemplified the possibility of becoming (like) cranes. Furthermore, many Alevis have placed semah at the centre of subsequent memorial events, suggesting new forms of affect and becoming as a political (and often public) response to the trauma of the Sivas massacre.