Staging (during) Crisis: Indigenous Zoomlets in the Pandemic

IF 0.1 0 LITERARY THEORY & CRITICISM
C. Waegner
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引用次数: 0

Abstract

Abstract The COVID-19 pandemic with its lockdowns and social distancing whirled theaters worldwide into an economic and cultural crisis. The San Francisco Playhouse, however, implemented an experimental theater genre based on computer-mediated communication (CMC) that proved to be highly productive and successful. The “Monday night Zoomlets” presented short plays by, among others, Indigenous authors, embedded in discussion by director, actors, and playwright, with a second reading of the play applying the insights gained. The presentations took advantage of technical finesses, as well as informality and humor, and the Zoom spectators in their home settings could interact via a chat function. This article analyzes three of the innovative Zoomlets focusing on crises in contemporary Native American families, crises that have arisen through the “slow violence” (Nixon) of centuries-long hegemonic colonization. DeLanna Studi’s Flight, Claude Jackson Jr.’s Cashed Out, and Lee Cataluna’s Funeral Attire. All these plays show young Native Americans attempting to reclaim rituals or knowledges through forms of “remembering,” a feature of twenty-first-century Indigenous theater according to engagé drama theorists Jaye Darby, Courtney Mohler, and Christy Stanlake’s Critical Companion to Native American and First Nations Theatre and Performance (2020). Relevant theories of transformations of chronotope, fourth wall, and third skin in performance within the Zoom environment are considered.
危机(期间)的分期:大流行中的土著Zoomlets
2019冠状病毒病(COVID-19)大流行带来的封锁和社交距离,使世界各地的剧院陷入了经济和文化危机。然而,旧金山剧场实施了一种基于计算机媒介通信(CMC)的实验戏剧类型,证明是高效和成功的。“周一晚上的Zoomlets”展示了土著作家的短剧,导演、演员和剧作家进行了深入的讨论,并将所获得的见解应用于戏剧的第二次阅读。演示充分利用了技术技巧、非正式性和幽默感,Zoom观众在家中可以通过聊天功能进行互动。本文分析了三部创新的zoomlet,聚焦于当代美洲原住民家庭的危机,这些危机是通过几个世纪以来霸权殖民的“缓慢暴力”(尼克松)而产生的。迪兰娜·斯图迪的《飞行》,小克劳德·杰克逊的《变现》,还有李·卡塔鲁纳的《丧服》。所有这些戏剧都展示了年轻的美洲原住民试图通过“记忆”的形式来收回仪式或知识,根据戏剧理论家杰伊·达比、考特尼·莫勒和克里斯蒂·斯坦莱克的《美洲原住民和第一民族戏剧与表演的关键伴侣》(2020年),这是21世纪土著戏剧的一个特征。在Zoom环境中,考虑了计时盘、第四面墙和第三皮肤在性能上的转换的相关理论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
American, British and Canadian Studies
American, British and Canadian Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
10 weeks
期刊介绍: Founded in 1999, American, British and Canadian Studies, the journal of the Academic Anglophone Society of Romania, is currently published by Lucian Blaga University of Sibiu. Re-launched in refashioned, biannual format, American, British and Canadian Studies is an international, peer-reviewed journal that sets out to explore disciplinary developments in Anglophone Studies in the changing environment forged by the intersections of culture, technology and electronic information. Our primary goal is to bring together in productive dialogue scholars conducting advanced research in the theoretical humanities. As well as offering innovative approaches to influential crosscurrents in contemporary thinking, the journal seeks to contribute fresh angles to the academic subject of English and promote shape-changing research across conventional boundaries. By virtue of its dynamic and varied profile and of the intercultural dialogue that it caters for, ABC Studies aims to fill a gap in the Romanian academic arena, and function as the first publication to approach Anglophone studies in a multi-disciplinary perspective. Within the proposed range of diversity, our major scope is to provide close examinations and lucid analyses of the role and future of the academic institutions at the cutting edge of high-tech. With this end in view, we especially invite contributions in the fields of Comparative Literary and Cultural Studies, Postcolonial Theory, Area Studies, Cultural Anthropology, Language and Linguistics, Multimedia and Digital Arts, Translation Studies and related subjects. With its wide subject range, American, British and Canadian Studies aims to become one of the academic community’s premium scholarly resources.
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