WEAK LINKS AND SCENE CLIQUES WITHIN THE SMALL WORLD OF SHAKESPEARE

James Stiller, M. Hudson
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引用次数: 28

Abstract

Forms of narrative such as drama allow for the transmission of information to large audiences. The drama therefore has to contain structural elements that are easily accessible to the viewer. The structures of 10 plays by William Shakespeare were studied and shown to exhibit small world properties, in that any node (character) in a network is connected to any other node by only a few intermediate steps. It is suggested that the number of characters that are present within each scene reflect similar numbers to those of observed human support cliques. This might reflect possible cognitive limits, as when there is an increase in the number of characters within a play rather than add new characters to a scene Shakespeare has instead created new scenes, thus main- taining the scene clique size. These scene cliques are connected by a series of weak links (keystone characters) that maintain the flow of information within a growing network of characters. It is sug- gested that this might provide a useful basis for further research into the structure, purpose and development of drama.
莎士比亚小世界里的薄弱环节和小圈子
像戏剧这样的叙事形式可以将信息传递给大量的观众。因此,戏剧必须包含易于观众理解的结构元素。我们研究了威廉·莎士比亚的10部戏剧的结构,发现它们都表现出了小世界的特性,即网络中的任何节点(角色)与任何其他节点之间仅通过几个中间步骤相连。这表明,在每个场景中出现的角色数量反映了与观察到的人类支持集团相似的数量。这可能反映了可能的认知限制,因为当戏剧中的角色数量增加而不是在场景中添加新角色时,莎士比亚反而创造了新的场景,从而保持了场景集团的规模。这些场景小团体由一系列薄弱环节(关键角色)连接在一起,这些薄弱环节维持着不断增长的角色网络中的信息流。这为进一步研究戏剧的结构、目的和发展提供了有益的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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