On the topological characterization of gestures in a convenient category of spaces

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS
Timothy L. Clark
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引用次数: 4

Abstract

ABSTRACT In this paper, we reconsider the topological characterization of gestures in a convenient category of spaces mentioned by Mazzola in 2009, recovering Arias's 2018 result that the relevant equivalence is a homeomorphism. We also show the topological characterization of gestures extends to an adjunction between the category of gestures and the category of continuous maps whose domain is a one-dimensional CW complex. Our arguments utilize only basic tools from category theory and almost no point-set topology. With little generality lost from our restriction of spaces considered, the ease of conceptualization in this setting provides an advantageous entry point for researchers interested in studying or applying gestures but who may not have advanced knowledge of category theory, algebraic geometry, or point-set topology. Thus one may view this work, in part, as an advertisement for the topological interpretation of gestures developed within.
方便范畴空间中手势的拓扑表征
在本文中,我们重新考虑了Mazzola在2009年提到的方便空间范畴中手势的拓扑表征,恢复了Arias在2018年的结果,即相关等价是一个同胚。我们还展示了手势的拓扑特征扩展到手势类别和连续映射类别之间的附加,其域是一维CW复合体。我们的论证只利用了范畴论的基本工具,几乎没有使用点集拓扑。由于我们考虑的空间限制几乎没有一般性的损失,在这种设置中概念化的便利性为对研究或应用手势感兴趣的研究人员提供了一个有利的切入点,但他们可能没有范畴论,代数几何或点集拓扑的高级知识。因此,在某种程度上,人们可以将这项工作视为对内部发展的手势的拓扑解释的广告。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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