Music Teachers’ Experiences with Implementing Diversity, Equity, and Inclusion

C. Bernard, Brent C. Talbot
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引用次数: 0

Abstract

This article describes music educators’ conceptions of diversity, equity, and inclusion (DEI). We collaborated with six music teachers to consider ways in which DEI is conceptualized and practiced in their own teaching settings. The teachers were carefully selected to encompass a multitude of identities, including race, ethnicity, gender, sexuality, location, class, ability, teaching setting, musical background, and teaching experience. Through our conversations, we learned how these teachers locate their identities through their own narratives and how these social constructions converge in their work through pedagogical and curricular strategies. It is our hope that their insights might start a conversation about the current state of DEI work being approached in music education and provide suggestions for more diverse, equitable, and inclusive practices and policies in music classrooms.
音乐教师实施多元、公平与包容的经验
本文描述了音乐教育者的多样性、公平性和包容性(DEI)概念。我们与六位音乐教师合作,探讨如何在他们自己的教学环境中概念化和实践DEI。这些教师是经过精心挑选的,包括种族、民族、性别、性取向、地点、班级、能力、教学环境、音乐背景和教学经验。通过我们的对话,我们了解到这些教师如何通过他们自己的叙述来定位他们的身份,以及这些社会结构如何通过教学和课程策略在他们的工作中融合。我们希望他们的见解能够开启一场关于音乐教育中DEI工作现状的对话,并为音乐课堂中更多样化、更公平、更包容的实践和政策提供建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
1.40
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