{"title":"Segmenting Tourists Based on Traditional Versus Social Media Usage and Destination Image Perception","authors":"Anja Van Dyk, E. Slabbert, Aaron Tkaczynski","doi":"10.3727/194341420x15905692660247","DOIUrl":null,"url":null,"abstract":"Despite considerable insight into both traditional and social media, the research on these media types is largely mutually exclusive. Consequently, it is largely not known what media tourists use before forming an image of a destination for potential visitation. To provide insight into this phenomena, this study segmented 558 tourists to South Africa based on their media usage and destination image perception. The first segment, experienced South African tourists (39%), did not use media when forming an image of South Africa, but rather focused on their frequent past experience. This segment rated cognitive and behavioral image of South Africa the highest. The second segment, friends and family orientated tourists (21%), utilized personal sources in their destination image formation of South Africa. They also rated the country's image the lowest. The third segment, multiple media usage tourists (40%), employed both traditional and social media in forming their destination image of South Africa. These tourists also rated affective image of the country the highest. While destination marketing organizations (DMOs) need to continue to employ traditional and social media to cater for different consumer learning techniques and different consumer response stages of the largest segment (multiple media usage segments), three fifths of the sample are currently being neglected. Because past experience is incredibly relevant for segment validation and representing destination image of the two smaller segments, the DMO needs to identify through in-depth interviews what South Africa's destination image means to all three segments. This process allows comparisons between the segments to be made. It can identify how these tourists' perception of the country's image has changed with experience and if their perceived image accurately represents what is currently marketed by DMOs.","PeriodicalId":41836,"journal":{"name":"TOURISM CULTURE & COMMUNICATION","volume":"52 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TOURISM CULTURE & COMMUNICATION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3727/194341420x15905692660247","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
引用次数: 2
Abstract
Despite considerable insight into both traditional and social media, the research on these media types is largely mutually exclusive. Consequently, it is largely not known what media tourists use before forming an image of a destination for potential visitation. To provide insight into this phenomena, this study segmented 558 tourists to South Africa based on their media usage and destination image perception. The first segment, experienced South African tourists (39%), did not use media when forming an image of South Africa, but rather focused on their frequent past experience. This segment rated cognitive and behavioral image of South Africa the highest. The second segment, friends and family orientated tourists (21%), utilized personal sources in their destination image formation of South Africa. They also rated the country's image the lowest. The third segment, multiple media usage tourists (40%), employed both traditional and social media in forming their destination image of South Africa. These tourists also rated affective image of the country the highest. While destination marketing organizations (DMOs) need to continue to employ traditional and social media to cater for different consumer learning techniques and different consumer response stages of the largest segment (multiple media usage segments), three fifths of the sample are currently being neglected. Because past experience is incredibly relevant for segment validation and representing destination image of the two smaller segments, the DMO needs to identify through in-depth interviews what South Africa's destination image means to all three segments. This process allows comparisons between the segments to be made. It can identify how these tourists' perception of the country's image has changed with experience and if their perceived image accurately represents what is currently marketed by DMOs.
期刊介绍:
Tourism, Culture & Communication is the longest established international refereed journal that is dedicated to the cultural dimensions of tourism. The editors adopt a purposefully broad scope that welcomes readers and contributors from diverse disciplines and who are receptive in a wide variety of research methods. While potential cultural issues and identities are unlimited, there is a requirement that their consideration should relate to the tourism and hospitality domain. Tourism, Culture & Communication provides readers with multidisciplinary perspectives that consider topics and fields extending beyond national and indigenous cultures as they are traditionally understood and recognized. Coverage may extend to issues such as cultural dimensions of the United Nations’ Sustainable Development Goals (SDGs), gender and tourism, managing tourists with disabilities, sport tourism, or age-specific tourism. Contributions that draw upon the communications literature to explain the tourism phenomenon are also particularly welcome. Beyond the focus on culture and communications, the editors recognize the important interrelationships with economies, society, politics, and the environment. The journal publishes high-quality research and applies a double-blind refereeing process. Tourism, Culture & Communication consists of main articles, major thematic reviews, position papers on theory and practice, and substantive case studies. A reports section covers specific initiatives and projects, “hot topics,” work-in-progress, and critical reviews.